C & D
C.G (Coronavirus Gone) Day
(Comedy/Drama)
(15-20 Minutes)
Plot:
Hannah and Luke are a young couple in love who have just decided to move in together. Little do they know what awaits them in the joys of Lockdown!
Cast: (1 Male & 1 Female)
Hannah - 30s
Luke - 30s
Production History:
Recommendations:
“RF-W gives us a tight, tension-filled relationship full of initial promise, but like all relationships--especially in these bizarre Covid-19 days--the road is full of turns and unexpected twists. Two lovely young people wrestle with lockdown, postponed dreams, and isolation, and it's purely up to them to find a way through. Will they make it? A great piece for two actors who can deliver the lows as well as the highs.”
George Sapio (New Pay Exchange)
“This is a true reflection of how we all must have felt during lockdown, being a fellow UK resident as the author I could easily relate to Hannah and Lukes claustrophobic situation together. Rachel capturs this perfectly,her young characters thrown together for months are sometimes frustrated with each other but their love holds them together. Very well written!”
Christopher Plumridge (New Play Exchange)
“In this short play, Rachel Feeny-Williams give us a snapshot of a year in the life of a couple during COVID lockdown. The audience is a fly on the wall to the goings-on with this couple who only recently started living together when the Lockdown began. The disintegration of the relationship as the year goes on is shown with humour and pathos and is extremely relatable to all of us who have gone through this period with a partner. Feeny-Williams does a great job with making the time jump between scenes, and the characters and dialogue are realistic and multi-dimensional.”
Debbie Lamedman (New Play Exchange)
Caged
(Comedy)
(5-10 Minutes)
Plot:
Laura, as a pregnant woman has put up with living with her mother and father-in-law but today has pushed her too damn far!
Cast: (2 Males & 2 Females)
Laura – In her 30s, pregnant
Mike – Laura’s Husband
Jackie – Mike’s Mother
John – Mike’s Father
Production History:
May 2022 - Produced as a virtual production for YouTube by The Literary and Discourse Society - https://www.youtube.com/watch?v=yJ_oV8bkbuM
Recommendations:
“Oh the joys of staying with in-laws and having to be up at the crack of dawn just to get some time alone. This great funny short play has elements of farce with the comings and goings and misunderstandings. Fast-paced read with snappy dialogue, I was shouting at them all in my head to give poor Rachel a break. Would be a fun one to see staged.”
Maggie Gallant (New Play Exchange)
“A very funny short play in which Laura just cannot get some peace in her own home because everyone who loves her assumes she needs constant companionship (which couldn't be further from the truth). Would be lots of fun to perform and to watch.”
Jennifer O'Grady (New Play Exchange)
“Playwright Feeny-Williams really ratchets up the tension in this brief but impactful piece. The play explores the demands of pregnancy with the ever present in-laws trying to help in the worst possible way. Lots of laughs to be found in this story.”
Ross Tedford Kendall (New Play Exchange)
Calling Characters
(Comedy)
(10 Minutes)
Plot:
This short play is sat in 'Characters Lounge' where Barrie, Charlie, Jeremy and Voiceover (all characters from plays I've written) sit, drink and discuss their past/future roles.
Cast: (5 Males)
Charlie
Barrie
Jeremy
Voiceover
Barman – Nick
Production History:
Recommendations:
"This is a fun little moment where the playwright's characters get together to wait their next call. To be fair, I've often wondered what my characters are saying about me when I'm not in the room, and this made me laugh... and glance over my shoulder. (I heard that, Bobby.)”
Philip Middleton Williams (New Play Exchange)
“Calling Characters is a wonderful little play, witty and ticks along at a pace. I believed in each 'character' in fact I felt particularly sorry for Voiceover, I hope he eventually got his time in the spotlight! Now I know where my characters go when I'm not busy writing them into my next play. Great fun, highly worth a read!!”
Christopher Plumridge (New Play Exchange)
“CALLING CHARACTERS by Rachel Feeny-Williams is a Toy Story for playwrights. What do your characters do in your mind when not in a show? Feeny-Williams shows us in this fun and delightfully inventive play. Stereotype? Lead? Support character? Voiceover? All are represented in the Character Lounge, a bar on the edge of a playwright's mind. It's where the characters wait to be recast in their next piece. Its a witty show that will make you want to write an apology letter to your characters.”
Robert J. LeBlanc (New Play Exchange)
“Rachel Feeny-William's fun and witty play "Calling Characters" takes us into a "character bar" where varied characters await the whim of their writer. Great insight into how writers work and and what drives them in their character choices and development.”
Julie Zaffarano (New Play Exchange)
Can't
(Monologue)
(2-5 Minutes)
Plot:
TRIGGER WARNING - EATING DISORDERS
Lucy shares with the audience about her issues with food and how it tallies into her current toxic relationship.
Cast: (1 Female)
Lucy - A Teenaged Girl
Production History:
Recommendations:
“Feeny-Williams takes us on Lucy's journey from a child to present with food, body image, and outside opinions. Hard and heavy. A lot is accomplished in these few minutes.”
Samantha Marchant (New Play Exchange)
“There is so much of Lucy's young life crammed into this short monologue that it's difficult to take in. Rachel takes us through Lucy's innocent childhood which bore no peer pressure into her teens where all she wants is to be like the fake, skinny models on her wall and impress her horrible boyfriend. Profound and at most times upsetting, this needs to be told.”
Christopher Plumridge (New Play Exchange)
“Oh my goodness. Oh my goodness, oh my goodness. I was just gutted at the end of this. What a devastating monologue. What a story that needs to be told. This would be an incredibly challenging and worthwhile piece for any young actress. I am shattered. Thank you Rachel Feeny-Williams.”
Alli Hartley- Kong (New Play Exchange)
Case Study: Ruth Ellis
(Crime)
(10-15 Minutes)
Plot:
Jake, Kate, Charlie and Claire have been assigned the case of Ruth Ellis (the last woman to be hanged in Britain) and asked to create a modern defence that may have seen her found innocent of her crimes.
Cast: (2 Males, 2 Females & 1 Male or Female)
Professor – Law Professor – M/F
Jake – Law Student
Charlie – Law Student
Kate – Law Student
Claire – Law Student
Production History:
Recommendations:
“A historic true crime story seen through the prism of four current-day law students forensically studying the punishment meted out to Ruth Ellis, the last woman to receive the death penalty in England. With four very different characters, and their supervisor, delving into the minutiae of the case from today’s perspective, this is a gift for actors, director and audience which invites both immediate reaction and a mulling over of alternative endings. An enthralling dramatic dissection.”
Alice Josephs (New Play Exchange)
“A really interesting way of looking at the Ruth Ellis case in a short and succinct manner. It acts both as an interesting starting point for examining the real life case and as a way for dramatists at the beginning of their writing careers to have an example of approaching historical events.”
Benjamin Peel (New Play Exchange)
“These four students face the daunting task of reviewing a well-known historical case and evaluating it in terms of contemporary protocols and procedures. Their clearly delineated personalities and the subtext of their relationships add texture and interest to their work together. The Ruth Ellis case is riveting and the application of modern standards raises many questions about the case. The unresolved curtain will certainly lead to animated debate among readers and audience members.”
Paul Donnelly (New Play Exchange)
“There has never been a more riveting study session! It helps that the characters are so clearly delineated even when they don't necessarily want anything personal from each other. They're there to discuss the assignment, but their personalities, attitudes, and interests make a compelling back-and-forth. What could have been Wikipedia broken up into dialogue instead builds upon the stakes of a long-ago case examined through the lens of current law and science. This would be great for classrooms. But I would watch a series about these four going through law school. And I'm totally shipping Jake/Kate and Charlie/Claire.”
Scott Sickles (New Play Exchange)
“This is a great mental exercise presented by Feeny-Williams. In a society obsessed with true crime, we are asked to take a look at a case that may have definitively changed laws and we are given the space to come to our own conclusions. Presenting the information as a student group project is fantastic as those are some of the most dreaded assignments, but they also provide the opportunity to see different points of views. A really compelling piece that will have the audience debating the case it's based on far after the theatre lights fade. Fabulous work.”
Dawn Branch (New Play Exchange)
“I consider myself a true crime junkie, but the case of Ruth Ellis was a new one for me... as I live across the pond. I found not only the original case to be fascinating, but RACHEL FEENY-WILLIAMS' detailed knowledge and handling of various legal perspectives through a modern lens to be OUTSTANDING. I would love to see this staged and hear audiences debate their thoughts. WONDERFUL.”
Debra A. Cole (New Play Exchange)
Cast 1 Male
(Comedy)
(60 - 75 Minutes)
Plot:
The Female Amateur Theatrical Society (F.A.T.S) have decided to break with their tradition by allowing a man on stage with them to play Henry VIII in their latest production. However, on the arrival of their leading man they realise things may not be as easy as first thought.
Cast: (2 Males & 6 Females)
Joyce – 50s/60s (F.A.T.S Chair)
Maggie – 50s/60s (F.A.T.S Member)
Jane – 30s/40s (F.A.T.S Member, recently divorced and mother of Sarah)
Louise – 30s/40s (F.A.T.S Member & a flirt)
Lucy – 20s/30s (F.A.T.S Member)
Sarah – Teens (F.A.T.S Member & Jane's daughter)
Alistair – 40s
Charlie – 30s (F.A.T.S Technician)
Production History:
April 2023 - Staged Reading by Marine Theatre, Lyme Regis, UK.
April 2022 - Performed at the Exmouth One Act Play Festival (Exmouth, Devon, UK)
April 2022 - Performed by Broadclyst Theatre Group in Broadclyst, Devon, UK
July 2021 - Performed by Next Generation Theatre Company in Cullompton, Devon, UK - https://www.youtube.com/watch?v=XM7HVzzo9CA&list=PL3PhaNeb4ZUJWGZCo104mHQbDQkUkCqJf&index=4
July 2021 - Winner of the 'Enter Stage Write Competition' and performed by Tring Theatre Company at The David Evans Court Theatre, Tring, Hertfordshire, UK - https://www.youtube.com/watch?v=FFdmMHw5Vxo
Recommendations:
"Cast One Male is a delightful comedy set in the all-too-familiar World of amateur dramatics. The play holds a mirror up to the typical characters you find in many theatre groups and dials up the comedic value in them all. Throw a larger-than-life 'real' actor into the mix who also happens to be the only man in the group, and you have a perfect mix for a evenings entertainment. A lovely play to perform and watch."
Tring Theatre Company
"Recently performed at The Walronds, Cullompton, by Next Generation Theatre Company, this play had the audience chuckling throughout and, at times, rolling in the aisles. A nicely engineered and well written script, with eight roles mostly for women (a revelation and very useful for many theatre companies) each of whom had clearly identified characters. The prima donna, the moaner, the quiet one, the rebel, the organiser, the kind one, to mention the women alone; the quietly competent ‘techie’ and the ‘know-it-all’ professional men all blended together into the whole which provided a very entertaining production. The play is centred around a female dramatic society who are rehearsing for the Six Wives of Henry VIII. Obviously to avoid playing Henry in drag a man was invited to take on this role. It transpires that he met the director in the pub and after a discussion about theatre was asked to take on the role. As it turns out he trained at RADA and was expected to give the show a ‘professional finish’. Unfortunately, through a series of events during the rehearsals he becomes a little less liked until he finally pulls out just before the curtain up on opening night due to a professional engagement. Nevertheless, all turns out well as you might expect in a comedy as the ‘techie’ takes on the role with apparent success. It is described as a One-Act Play although it has several scenes and it may be that one hour and one quarter running time may be a bit long for some companies who wish to put three plays on in the one evening but it worked well with the three plays chosen for the production at The Walronds as it was possible to include a five minute sketch used as a training ground for relatively inexperienced performers. Overall, though, this is a great little play and one which gives women plenty of performance
opportunities."
Graham Sessions (Next Generation Theatre Company)
"This second play of the evening was certainly very different and contained some poignant, funny, and well-defined observations of the “am-dram” scene! The setting was the Green Room of Killington Village Hall where the members of the Female Amateur Theatrical Society, or FATS, were meeting to discuss their next production – a play about Henry VIII and his wives, and in a break with tradition they had decided to allow a man on stage with them to play the role of Henry! The scene opened to a typical Am Dram Committee Meeting and the various personalities and the usual differing politics began to emerge! After much discussion it was decided they would engage a professional actor to play Henry, even though they did actually have a “male member” Charlie, in the Society, but he was only the “techie”. There were some wonderful characterisations, which could have perhaps been recognisable to those familiar with Amateur Dramatic Societies. The ladies all interacted and reacted brilliantly together and were all very different, from the Chairperson trying valiantly to be tactful and keep the peace, the stroppy teenager who was reluctantly taking part and always on her mobile, to the shy and reticent Lucy who was obviously hiding her feelings for Charlie! The part of Charlie was wonderfully performed, he had obviously seen it all before and there was a lovely moment between him and Lucy when she realised that her feelings were reciprocated, her expression said it all! When Alistair the “professional” arrives for rehearsals, everyone goes into a spin. It soon becomes clear that he is completely self-centred and not adverse to playing the ladies off against each other. Announcing that he is “off the book” he causes problems as it seems that it’s his own version with added lines! Pompously played he bonds quickly with the sassy lady playing Anne Boleyn – a great performance – but is ready to drop everything if a more lucrative offer comes along, and when it does he leaves them in the lurch with just a “generous” donation of a bottle of Cava for their opening night. Of course, reliable Charlie steps capably into the breech to save the day and all’s well that ends well! At times the snap Black Outs closed the action rather too quickly, when a slow fade would have given the audience a chance to reflect and absorb what had occurred before moving on to the next scene, also some show music at the start would have helped to introduce the piece. The co-ordinated T-shirts for the various scenes was a nice touch and the period costumes at the end were just right. Overall it was great fun and certainly got the audience laughing. There were some lovely portrayals and observations and some very clever play on words - although they quickly decided that getting back to basics by changing the name to The Women’s Amateur Dramatic Society, TWATS, perhaps wasn’t the best plan! It was good to see everyone pitching in to change the scenery in the Interval, and there was a strong feeling of camaraderie and support across the group."
Tricia Barclay (Representative for District 6 of N.O.D.A - National Operatic and Dramatic Association) - Present at the performance on 9th April.
“As they say, sometimes what you need is right in front of you and all you need is an egotistical bastard to make you realize that before the curtain rises. Feeny-Williams takes us down a very rich rabbit hole of the woes of one amateur theatre and has struck gold with her characters, the dialogue and play. Bravo!”
Lee R. Lawing (New Play Exchange)
“Great fun! Some romance, some farce and a nice cuppa ;) I'll be recommending it to a local English speaking Amateur Dramatics group in the South of France as the casting options are spot on.”
Nora Louise Syran (New Play Exchange)
“If you've ever been involved in community theatre you'll appreciate this comedy where a group of amateurs deal with a know-it-all professional who proves himself anything but. The dialog is sharp and, don't worry, there's a happy ending. True, there is a batch of drama along the way, but as my wife (not a theatre person) says when I tell her about something, "Drama in a theatre group! Who knew?"”
Richard Thompson(New Play Exchange)
Chasing the Train
(Drama)
(5-10 Minutes)
Plot:
This short piece tells the story of Abigail. A young girl desperately seeking that ideal appearance (and approval) with dangerous consequences.
Cast: (3 Males & 4 Female)
Abigail
Amanda
Prof Deacon
Max Dan
Ben
George
Bouncer
Production History:
Recommendations:
“So painful. So important. So real. Rachel Feeny-Williams has a true gift of getting right to the center of what troubles and haunts humans. The pace of this short piece mirrors the pace of the impending train as one young woman battle the external influences and internal voices that respond. This will have audiences talking at any short play festival. BRAVA.”
Debra A. Cole (New Play Exchange)
“FEENY-WILLIAMS’ short piece “Chasing The Train” is lovely look into what it means for a woman’s self esteem. She can be brought down by many things, and as Rachel’s play suggests; pretty much everything! This fast paced play is a wonderful juxtaposition between how a girl wants to feel and truly how she NEEDS to. A beautiful story that will forever stand the test of time. It’s honest, relatable, and true. It’s beautifully executed, prolific, and smashing well done! ”
Jaxson Mackling (New Play Exchange)
“A young woman’s self-esteem takes a beating, and everyone she turns to for guidance or help seems to fail her. She becomes obsessed about her weight, as so many women often do, and her whole life starts falling apart. A riveting short play that is thought-provoking and timely. I would love to see this staged.”
Cindi Sansone-Braff (New Play Exchange)
“What a chilling piece! Feeny-Williams gives us a strong character to root for in Abigail, and it is painful to watch her come so incredibly close to what she thinks she wants, and so far from what she really needs. This is a brilliantly honest portrayal of a struggle so many women today must face. Excellent work.”
Harper Caroline Lee (New Play Exchange)
Collabor-Fucking-Ation!
(Comedy/Drama)
(10 Minutes)
Plot:
TRIGGER WARNING - SWEARING, ALCOHOLISM, SUICIDE REFERENCES
Rachel is a playwright, just moved to London and desperate for inspiration to write the gritty and emotionally tough piece her employers are asking for. To attempt to help her inspiration, her agent/best friend Simon brings in theatr producer Wallace Aurelian to assist. But with the two already having a less then friendly past, how will things unfold?
Cast: (1 Female & 2 Males)
Rachel – A writer in her 30s
Simon – Rachel’s best friend/agent in his 30s
Wallace – A producer of theatre in his late 40s
Production History:
Recommendations:
“Hats off to Rachel for writing this great play in just one day. Maybe as a result it needs tweaking here and there, but I say it's perfect as it is because it reflects the story perfectly.
Gritty and at times darkly funny, this play gives a respectful nod to the film Withnail and I. Putting two contrasting writers and personalities in a confined space and wait for a miracle is a tall order, do they succeed? The twist at the end caught me somewhat by surprise too.
A great piece of which to have a lot of fun staging."
Christopher Plumridge (New Play Exchange)
“A playwright boot camp with all the laughs, physical comedy and heart breaking moments of a Neil Simon play. Both character Rachel and author Rachel have created a wonderful piece that just could become a hit! Neil Simon, who?”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“This is a dark, funny play that I would absolutely love to see live. Realistic characters, excellent dialogue, a relatable premise--extremely impressive work!”
Jonny Bolduc (New Play Exchange)
“I’m already a fan of Rachel Feeny-Williams’ work, but just like the Rachel who is the central character in this play, Feeny-Williams seems to have found some new inspiration to take her work to another level! Not something I ever thought was needed or possible! The story and characters are all brimming with gritty realism. And to think this was written in a day! This is truly deserving of a production!”
Morey Norkin (New Play Exchange)
“My God, this was a riveting piece to read. As writers, we've all felt the panic of the blank page. Rachel Feeny-Williams is probably no exception (though sometimes I think she has made a deal with the Devil for non-stop inspiration) but she powers through and produces work of such high quality, that you'd never know it. The characters here feel like they stepped out of real life and I defy you not to get caught up in their needs and desires. This was wonderful and gets my highest recommendation!”
John Busser (New Play Exchange)
“This felt.. real. A successful amateur theatre playwright moves to London to write a gritty and emotional new play. It takes a nemesis to enable Rachel to dig deep and find what is real. This piece should be expanded to a full length show - so many opportunities for conflict, discovery, and honesty. RACHEL FEENY-WILLIAMS' talent for writing dialogue that moves without effort is a true gift.”
Debra A. Cole (New Play Exchange)
Confess
(Comedy)
(5-10 Minutes)
Plot:
Their father's brand new sports car with a broken window. Will Danny and Katie manage to hold it together, or will they turn on each other?
Cast: (2 Females & 2 Males)
Danny - 16 years old
Dad - Danny & Katie’s Father
Katie - Danny’s 14 year old sister
Mum - Danny & Katie’s Mother
Production History:
April 2022 - 2nd Place in the "Surfside Playhouse Online Play Competition"
Recommendations:
“I love the lines about where in the house good news is delivered vs. the bad. Confess will take you back to your own childhood or parenthood to when the power dynamic between child and parent can shift seemingly on a dime, but in the end, there is never any argument when it comes to the all seeing eye that is without a doubt instilled to all mothers just after giving birth.”
Lee R. Lawing (New Play Exchange)
“ Calling WILLIAMS’ short piece “Confess” would be and understatement. A lovely piece about how brothers and sisters bicker over the most basic details of life, only to realize their mother is not more clever than she’s thought to be. A wonderful example of everyday life at its finest. This play would be wonderful in production or at a festival! I want to see it produced! Read. Produce. Repeat. Well done! ”
Jaxson Mackling (New Play Exchange)
“THAT was brilliant. Mother should be running police interrogations. Rachel Feeny-Williams has written a real treat of a ten minute play showing us that kids aren't as smart as they think, and parents aren't nearly as dumb. I'd bet many an audience member will take this tactic in mind when dealing with their own kids.”
John Busser (New Play Exchange)
“Rachel Feeny-Williams does it again. This brilliant little comedy had me making faces throughout and pausing and pretending to be director. The dialogue was so engaging that I thought I was at the dinner table with the family. I don't want to ruin anything (which means I've probably already done that), but the ending is fantastic! Kudos to another great 10 minute play Rachel!”
Joe Swenson (New Play Exchange)
Consider
(Thriller/Drama)
(5 Minutes)
Plot:
For ten years Amanda has been plotting her revenge against the man who was responsible for her parent’s death. But now stood across from him, can she pull the trigger?
Cast: (1 Male & 1 Female)
Amanda – Mid-teens.
Jack – In his late 40s.
Production History:
July 2023 - Audio Production Theatrical Shenanigans Podcast - https://theatricalshenanigans.podbean.com/
Recommendations:
“A great short thriller is really difficult to pull off but Rachel Feeny-Williams does so here. So much is packed it, that it could easily be developed into a full-length play, but as it stands it's effective, surprising and the snappy dialogue bowls along at a rate of knots. A cracking short play which would be huge fun to stage.”
Paul Smith (New Play Exchange)
“What a fun thriller! What is worse, getting away with murder or lowering yourself his level? Is revenge worth it or is he just a fast talker? A fun roller coaster ride throughout.”
Karen Fix Curry (New Play Exchange)
“What a great short little thriller! Filled with twists and turns, and I love how open ended the ending was. Great for a night of short plays. Well done!”
Ryan Kaminski (New Play Exchange)
“Oh my! What a lot of twists Rachel Feeny-Williams crams into five short pages. This play starts with a simple revenge plot, but just when you think you know where it's going she forces you to consider everything from a new perspective. A ton of fun that gives you a lot to consider.”
Majorie Bicknesll (New Play Exchange)
Could Have Been
(Drama/Romance)
(10 -15 Minutes)
Plot:
Mona and Charlie are desperately in love but circumstances and their families mean its not to be and Mona realizes she can’t live in the past as she ends things with the mans she loves.
Cast: (1 Male & 3 Female)
Mona – Although she is in her late 30s she is representing her past self through most of the piece.
Mother - Mona's mother in the past, either recorded voice or voice off stage.
Daughter - Mona's daughter in the present. Teenager.
Charlie – Mona's former boyfriend in the past. Teenager
Production History:
Recommendations:
“Feeny-Williams creates a dynamic relationship in this heart-breaking 10-minute play. This complex relationship that is written so eloquently and holds so much sorrow will truly capture any audience. It's a heart-breaking play that will make you think about how love can change someone for better or for worse.”
Brenton Kneiss (New Play Exchange)
“This is a heartbreaker of a play and one that reminds me of all the rules and regulations around parenting that were so ingrained into us a a child of the "Bad boy" or "Bad girl" syndrome and what road they will lead you down. Could Have Been shows us such a scene and this only points to so many lost loves that could have occurred if people could have seen another person for the beauty inside and not just the colour of the skin.”
Lee R. Lawing (New Play Exchange)
“A heartrending piece about young love, derailed by well-meaning, misguided parents, who have no clue about the enduring power of love. This short play will resonate with audiences of all ages, because the tale of the-one-that-got-a-way is as as old as time. Beautifully written, with crisp, clean, concise dialogue that rips your heart open, this play reminds us that only love matters, and only love is real. Bravo!”
Scott Sickles (New Play Exchange)
“Another wonderful short play by Rachel Feeny-Williams. George finds his peace and quite disturbed by a mysterious woman. As the moments unfold, audiences will be at the edge of their seats. LOVELY!”
Cindi Sansone-Braff (New Play Exchange)
Creative Partners
(Comedy)
(10-15 Minutes)
Plot:
* Prequel to "This is it" and "My Moment"
Tom is discovering what its like to be in a relationship with someone in a volatile, unknown and stressful field, playwriting.
Cast: (1 Male & 1 Female)
Claire - 20s
Tom - 20s
Production History:
Recommendations:
“As I read this play, I felt Ms. Feeny-Williams was writing about my journey as a playwright. Occasional successes don't cut it, rejections certainly don't, and being ignored is the worst of all. We all question our abilities at some point, but the good news proposed in this lovely play is that we must keep on trying, even though it seems that EVERYBODY is trying to do what we're doing.”
Bruce Karp (New Play Exchange)
“I am not so far into my playwrighting journey, but I can already relate to much of this well written, sensitive play. It's a tough market, full of rejections, and hope can be shattered, luckily for Claire she has the unwavering support from her partner Tom. As this play comes to and end, you can't help feeling there will be more chapters to come of Claire's career.”
Chris Plumridge (New Play Exchange)
“I usually find plays about playwrights to be a little too on the nose, but this was a lovely piece. It wasn't really about a playwright so much as it was a play about a man who just simply loves his wife and supports her creative endeavours. What a great piece!”
Alli Hartley-Kong (New Play Exchange)
“We've all been Claires in our life so many times and there have been times when the thought of giving up is easier to contemplate than continuing, but this play offers up that piece of writing that has been there since the start of time--the playwright's support, their rock they lean on, their friend they send every thing they write to to judge and critique and give that support that they can do this little thing they've set out to do which is to be a writer and one that's a little recognized now and then.”
Lee R Lawing (New Play Exchange)
Creatively Censored
(Drama)
(15-20 Minutes)
Plot:
In a time when the government see the arts as un-necessarily frivolous and theatres face closures, Millie faces saying goodbye to The Mill Box, a theatre that has been the home to so many for so many years.
*This is an immersive piece that begins from the moment an audience member arrives at the theatre.
Cast: (3 Male & 4 Female) - Additional Extras for scenes set before the play if possible.
Millie Mayhill – 59 years old, Irish with a fiery passion and a love for theatre. Existing owner of the Mill Box Theatre.
Val – Millie’s best friend – 60s
Olivia – 20s Dancer and member of the theatre community from a young age
News Reporter – 30s – Female Reporter
Nathan Mayhill – 35 years old, Millie’s son.
Wilf – 60s Long term friend of Millie and member of the theatre community
Mr Thwaite – 60s – Hater of theatre and campaigner against arts funding
Production History:
Recommendations:
“Arts funding, whether for schools, community theaters, or regional theaters is considered more of a luxury in too many places rather than the necessity it truly is. Rachel Feeny-Williams demonstrates this beautifully by letting us feel part of the Mill Box Theatre and the wonderful folks who have called it home for so long. If you’re reading this, you probably know a place like the Mill Box. Chances are you started such a place. We need more Mill Boxes and folks to advocate for arts funding. To Theatre!”
Morey Norkin (New Play Exchange)
“The axe for arts’ funding is falling for real
in life off stage. So, it’s not too big a step to this vision of utilitarian hard times with the closing down of theatres in favour of apartments and supermarkets. The playwright skilfully evokes a world in flux over several scenes with six distinctive characters, including roles for older actors, all orbiting round the theatre matriarch who has presided over generations of talent. A poignant and all-too-plausible scenario and warning for the future where economic zealotry becomes the new Puritanism.”
Alice Josephs (New Play Exchange)
“Heart breaking and too real these days. RACHEL has created a tender love letter the theatre and the arts. The audience will feel the connections, the memories, and the passion…maybe before or is too late?”
Debra A. Cole (New Play Exchange)
“Ambitious and immersive, Creatively Censored is a glowing tribute to the theatre, theatre-makers, and the human spirit. Feeny-Williams has crafted not just a play but an experience that cannot, and perhaps should not be replicated, in an attempt to preserve its resonance and its power. This is a play where even the audience gets to play a role - a fabulous piece that would truly make its mark.”
Sam Heyman (New Play Exchange)
Creatively Evolved!
(Science Fiction/Drama)
(15-20 Minutes)
Plot:
Creative Tech Industries claim to have created a revolutionary machine that is going to change the way plays are written forever! However, journalist Michael James thinks there is definitely more to this claim than meets the eye.
Cast: (3 Male & 3 Female)
Michael James – 30s – Journalist
Chad Brad Dylan – 40s – Owner of ‘Creative Tech Industries’
Dr Terran – 40s – Doctor at ‘Creative Tech Industries’
Jessica Thistlethwaite – 30s – Actress
Peg Moran – 30s – Owner of a small studio theatre
Sandy May – 20s – Chad’s Assistant Lucy – 20s – A Playwright
2 x Security guards – M/F – None speaking roles
Production History:
Recommendations:
“This is an artist's scifi/horror story! And it is fairly possible, which is what makes it scarier. Obviously, I am going to be reading more of the fine print when I submit scripts to competitions now!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“How do you harness the passion and creativity of playwrights for use in AI generated programming? Rachel Feeny-Williams explores this question in CREATIVELY EVOLVED, and provides a frighteningly literal answer. A terrific and shocking look at the present and future implications of putting profits ahead of people. With a storyline worthy of the best of The Twilight Zone, this play offers great suspense layered with important issues around the value we place on art and the people who make it. AI cannot possibly compete with Rachel Feeny-Williams!”
Morey Norkin (New Play Exchange)
“"Creatively Evolved" is a play that experiments with some of the fears creatives have with the rise of AI. Losing our jobs to a machine. It's hard to deny that the human element is part of what makes our art so special. Rachel's play asserts the importance of human stories, and argues for fair pay for the people who are such a key part of the theatremaking process. Her play is clever, mysterious, and thrilling. It would feel right at home in a short play festival with its tight writing, satisfying mystery, and charged themes.”
John Medlin (New Play Exchange)
“Nothing can replace the passion of a playwright, writer, or journalist, but Creative Tech Industries has found a way to corner the market on their output without all the whining about payment. RACHEL FEENY-WILLIAMS has turned a dark light on the future of the arts with her keen eye on the need for humans… no matter what.”
Debra A. Cole (New Play Exchange)
Curtains Down
(Comedy/Drama)
(20 - 25 Minutes)
Plot:
Having fled from her role dancing third row chorus in ‘Butlins Magical Christmas Show’, Natalie finds herself in ‘Curtains Down’. The establishment is suited to a certain type of clientele consisting of out of work actors, ‘exotic’ dancers and…trees?
Cast: (2 Male & 3 Female)
Cecile Charles - 50s/60 - Former stage singer and current landlady of the Curtains Down pub
Natalie - Early 20s - Theatre graduate and former dancer in the "Butlins Magical Christmas Show" chorus
Ashleigh - Early 20s - Exotic Dancer
Maxwell Kensington - 50s/60s - Classically trained Shakesperean actor
Bill - 40s - Actor who suffered a nervous breakdown and now says nothing but "I am a Tree"
Production History:
January 2014 - Performed as part of the 'From Devon with Love' festival at The Bike Shed Theatre, Exeter, Devon - https://www.youtube.com/watch?v=rAdrdGIwSRQ&t=3s
Recommendations:
“Feeny-Williams does an excellent job crafting this world and these characters in this cabaret-type world. It's a unique comedy in the best way possible. It's not what you expect it to be and these characters come to life so quickly and they have so much purpose that it brings out the laughs in a truly innovative way.”
Brenton Kneiss (New Play Exchange)
“I’m reminded of Cheers, a bar where everybody knows your name. Curtains Down is the hangout for theatre has-beens, almost made its, and never wases. A place to share memories, cry over regrets, and drown sorrows. And Rachel Feeny-Williams has provided a colourful, compelling collection of characters to share a toast with. A pixie, a stripper, and a… tree! But as varied as the clientele is, there is a sense of community and support that lets this charming story end on an optimistic note. That’s show biz!”
Morey Norkin (New Play Exchange)
“It's another night in the land of lost dreams and hasbeens. Or is it? Five actors, each at different stages in their careers but all of them struggling, meet in a dive bar to drown their sorrows. As they share their stories with each other, the resulting sense of camaraderie begins to restore their confidence and strengthen their resolve. This fun play, with rich characters and snappy dialogue, reminds us that none of us can really make it on our own.”
David Beardsley (New Play Exchange)
“Oh how I loved this tale of lost hopes, tarnished memories and guilty pleasures. We're introduced to the dark underbelly of the almost made-its, and wannabees as they drown their past memories and future hopes in a dingy bar run by yet another washed up star. And then, from the unlikeliest quarter springs hope... A tree! A tree, played by another of the wounded, washed up thespians takes the demoralised troupe to task and sends the on their way with renewed hope! This play begs to be on stage and a wonderful vehicle for actors of a certain age! ”
David Patton (New Play Exchange)
"Curtain Down is a one-act play, written and directed by local playwright Rachel Feeny-Williams, which spotlights the bittersweet realities of a career in the arts, focusing on what happens when a star’s light unceremoniously goes out and the unlikelihood of it lighting in the first place. The audience meets a struggling drama graduate, Natalie, after her flight from the stages of Butlin’s Christmas performance, and tracks her interaction with the other characters in the Curtain Down pub – something of a theatrical graveyard. Cecile Charles – or “Si Si” – a washed up leading lady turned land lady opens the play with a scene reminiscing about her former glory against the very fitting backdrop of the low-lit and well-worn Bike Shed Theatre, giving the scene an appropriate intimacy as we delve into the character’s past. Feeny-Williams creates some genuinely interesting characters to depict the differing struggles of a life in the performing arts; Ashleigh is the sharp-tongued exotic dancer whose failures catalyse an aggressively defensive streak which comes to the fore several times throughout the play; Maxwell Kensington is the quintessentially bearded Shakespearean actor with a complex about performing anything less than the work of the Bard, and then there’s Bill who simply responds “I’m a tree” – suffering the inevitable psychological effects of long term exposure to physical theatre. There is much in the play’s fabric then that has the potential for a captivating and melancholy exploration of what happens off-stage when the audience have gone and the lights are out. However, there was something ever so slightly stilted and uncomfortable in the characters’ interaction on stage for me that hindered the play’s true capturing of the downheartedly ironic tone that would have made it a more striking piece and which I think was endeavouring to come out of the script. The dialogue was well-written and witty, creating a positive response from the audience, particularly when delivered with the cutting edge of the actress who played Ashleigh, but again in places took away from the necessary tension. A one act play has its inevitable challenges, needing to engage with its audience from the outset, fill every scene with something meaningful and take us on a journey in a very short space of time. Whilst I applaud Feeny-Williams for creating all the potential for this to be a success, I was left somewhat underwhelmed by its execution."
Bethany Stuart
(Exposed - https://exeposedev.wordpress.com/2014/01/27/from-devon-with-love-curtains-down/)
Dance Like No One Can See You
(Monologue)
(1-5 Minutes)
Plot:
Lydia contemplates how nights out dancing in her 20s used to be.
Cast:
(1 Female) Extras as dancers should be used if possible
Lydia - 30s
Production History:
Recommendations:
“A very funny short monologue that does an excellent job in creating a time and a place on stage. Rachel Feeny-Williams does a wonderful job capturing a specific time in a person's life and her use of humor is wonderful. Great for short play festivals!”
Ryan Kaminski (New Play Exchange)
“An almost forensic account of the folly of late feminine youth (subspecies: party girl). The music choices evocatively heighten the theatricality. Feeny-Williams imbues her narrator with a nostalgia that's unflinching, unapologetic, and without regret. If anything, there's a battle-worn optimism rising from the embers of tiny dresses, noise, and an estwhile hope that's vastly different than the hope that comes later on.”
Scott Sickles (New Play Exchange)
“We all remember our 20's, which Rachel sums up brilliantly in this short monologue where she recounts heady nightclub sessions. I admire how Lydia commands the ambiance, she's able to change the mood by simply clicking her fingers. I didn't go clubbing much in my 20's, least of all in short skirts and heels, but boy if Madness - House of Fun comes on I'm up on the dance floor in a flash to display my best Dad-Dance moves!”
Christopher Plumridge (New Play Exchange)
“An atmospheric monologue with music of bar and dance rooms that addresses its serious themes in a clever, comedic way through a series of dances.”
Asher Wyndham (New Play Exchange)
“The character Lydia critically analyses the behaviour of 20-something female-identifying people in clubs and comes to the inspiring conclusion that we should just dance however we want; never trying to meet certain standards or expectations. Stunning work in terms of putting this authentic scene onstage which is wrapped in comedy with some irony sprinkled on top - intriguing!”
Cora Frank (New Play Exchange)
“Feeny-Williams coats the surface with comedy, but still delivers a dose of realism and a chance to get inside the well-portrayed mind of a young woman dealing with the bar scene. An actor would really love to perform this monologue. Well done!”
Vivian Lermond (New Play Exchange)
Dear Prime Minister
(Monologue)
(3-5 Minutes)
Plot:
TRIGGER WARNING - Suicide references
Lucy Hale, Aged 15 from North Shields, UK writes a letter to the Prime Minister, thanking him for all she has in her life.
Cast: (1 Female)
Lucy Hale - 15 year old.
Production History:
Recommendations:
“How many Lucy’s are there? Not just in the UK, but in every country where economic conditions and disinterested politicians lead to countless young people being deprived of their childhood. This monologue speaks truth to power. Now is the time for action! Produce this!”
Morey Norkin (New Play Exchange)
“All politics is personal and Lucy Hale is taking her nation's politics very personally. This is a masterpiece of ironic invective told with painstaking accuracy and thoroughness from an intelligent adolescent's point of view. There is a bounty of ire here that acknowledges the powerless of her position as she takes the head of state to task. What we're left with is a portrait of a town like so many in a country that does not give a damn, and the intimate toll of a life kneecapped by stolen hope.”
Scott Sickles (New Play Exchange)
“I'm presuming from a line in this monologue that it was written during David Cameron's time as Prime Minister during the austerity years but it could just as equally apply during the pandemic and during this current time. That's the power of it in that it is applicable to many governments of different hues worldwide as they claim to be on the side of the people whilst they themselves are mostly cocooned in ivory towers. An excellent monologue.”
Benjamin Peel (New Play Exchange)
“Rachel has written a scathing monologue about the apathy of those in power. What starts innocent becomes charged with rage as Lucy dissects the various ways the world is falling apart around her. You can't help but relate to this character who sees so much suffering, only to be met with apathy and, even worse, fake sympathy from those who have the power to make a difference. It's a shame that people around the world are putting the need to change on the shoulders of those who follow us. This is an example of one who crumples under the pressure.”
John Medlin (New Play Exchange)
“Writers have a responsibility to write the truth, now matter how hard, or how difficult it is to understand and accept. Rachel does this to great effect, using the lost innocence of a fifteen year old girl tell of her friends, family and neighbours, all in difficult situations bought on by politicians somewhat detached from reality. Although the characters are fictional, there are so many people in similar dire straits. This needs to be told, excellent work!”
Christopher Plumridge (New Play Exchange)
Desires
(Thriller/Drama)
(10 Minutes)
Plot:
All Jacqueline has ever wanted is to be a beautiful, confident and desirable woman. Now, she has found someone to make that a reality, but is all as it seems?
Cast: (1 Male & 2 Female)
Zane
Jaqueline
Jaqueline 2
Production History:
Recommendations:
“Be careful what you wish for....Rachel has written a humorous and bold piece that makes us question what is it that 'makes us us', and what would we sacrifice to be what society desires. We have all looked in the mirror wanting more, but this piece cleverly asks us to consider what is most important, and we are more than just what we see.”
Lindsey Brown (New Play Exchange)
“Intriguing, a real page turner. A bit of a morality play -- be careful what you wish for and remember to ask about the fine print and possible side effects if you get your wish especially if it's free. Good job!”
Susan Middaugh (New Play Exchange)
“So eerie and relatable...and not just because I share a similar name with the main character! Zane is an interesting character, too and I feel like the "orb collector" has a LOT of stories to tell!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
Discovery 40% Proof
(Comedy)
(5-10 Minutes)
Plot:
The year is 4937 and its time for the yearly ‘Humanity’ conference but this year a team has brought back something that mankind hasn’t seen in nearly 3000 years, alcohol!
Cast: (2 Female & 2 Male)
Hanson Hanson
Doctor Kaylian – A geologist
Professor Jenix – A historian
Doctor Mulkay – A Sociologist
Production History:
Recommendations:
“Alcohol hasn't been available to humans for a possibly very dull 3,000 years. But after much interstellar searching, a bottle once belonging to a Mr. Jack Daniels has been discovered. With much scientific fanfare, a room full of people who have never experienced this concoction are given samples. What could go wrong? Rachel Feeny-Williams shows us in hilarious detail.”
Donald E. Baker (New Play Exchange)
“As soon as the play begins, Rachel Feeny-Williams manages to hook you with the opening lines. This play works as both a comedy and a futuristic piece, with an engaging premise that will appeal to all audience members. Very creative and well-written, I would love to see this performed live!”
Ryan Kaminiski (New Play Exchange)
“What a fun premise! It is strange to wonder what future anthropologists would think of or strange habits and rituals. Alcohol is without a doubt a tricky social lubricant. Rachel Feeny-Williams has brought the future to us with a humorous look at the recovery of a long lost social centerpiece.”
Christopher Soucy (New Play Exchange)
“This short piece 100% PURE JOY! Whether a social lubricant, a developed palette, or personal temptress, alcohol always makes for an interesting gathering, and this year's Humanity conference is no exception. FEENY-WILLIAMS always finds a way to take the everyday and make it exceptional with data, history, and what ifs.”
Debra A. Cole (New Play Exchange)
“Discovery 40% Proof is a lot of fun! This short play is about alcohol and it’s return to earth after being gone for 3000 years! Rachel Feeny-Williams creates a world of fun characters that examine this phenomenon in playful detail. Read it, you’ll have such a good time. ---Cheers!”
Glenn Alterman (New Play Exchange)
“A highly imaginative look at the return of alcohol to humanity after 3000 years. Needless to say when a roomful of amateurs get their hands on the reconstituted liquid chaos (and hilarity) ensues. Amidst all the humour, this play offers a thought-provoking exploration of the unintended consequences of scientific advances.”
Paul Donnelly (New Play Exchange)
“Warning to those of you expecting to be alive in 2099 - alcohol will be banned on Earth with all remnants blasted into space. Ms. Feeny-Williams proposes that this could actually happen, with no one attempting to restore alcohol sanity for 3,000 years! Yet, once scientists find remnants on an unspecified planet in 4937, chaos hilariously ensues in this unexpectedly zany comic piece. Read it and have a good laugh, and maybe sip an alcoholic beverage - while you still can.”
Bruce Karp (New Play Exchange)
“Rachel Feeny-Williams delivers both laughs and social commentary in equal measure in this short play about a future without alcohol that gets one for the road. Once again, science comes through in a pinch, but really, should it have? It would be fun to see staged as the mayhem of a stiff one is unleashed upon an unsuspecting humanity. Give it a shot. (And a beer.)”
John Busser (New Play Exchange)
Disturbing the Peace
(Comedy)
(10 Minutes)
Plot:
Sergeant Burrows expected his Thursday night to be a quiet one, until Ruby and Roger changed all that!
Cast: (5 Male & 3 Female)
Sergeant Burrows
Officer Lennox
Jack – Roger’s Son
Martin – Jean’s Husband
Roger – An elderly man
Marie – Jack’s Wife
Jean – Ruby’s Daughter
Ruby – An elderly lady
Production History:
Recommendations:
“What a satisfying short play! Helicopter parenting, the fragility of age, living life to the fullest...all these and more are expertly explored in Feeny-Williams' brisk comedy. It's a fun build up with a great payoff!”
Nathan Chirstopher (New Play Exchange)
“I'll admit, I didn't see the twist in this one coming until it ran over me like a Jaguar on a joyride. (So glad I didn't read any of the NPX keywords here or I would have guessed it and spoiled the surprise). This is a delightful little romp by Rachel Feeny-Williams that points out how sometimes we over-protect and under-respect the wrong things in life. A great piece for both younger and older actors alike.”
John Busser (New Play Exchange)
“ADORABLE!!!! I am a BIG FAN of pieces that utilize under-appreciated actors, and this would be just the piece to showcase those talents.”
Debra A. Cole (New Play Exchange)
Do Not Let Me Fall
(Drama/Crime)
(10-15 Minutes)
Plot:
TRIGGER WARNING - Violence against women, sexual abuse & suicide.
Detective Shay has been called to the death of a young acrobat at the circus, but in a place where quite a few people aren't saying things, will he be able to get to the bottom of it?
Cast: (5 Male & 3 Female)
Detective Shay
Sergeant Orion
Alexander – Magician
Maxwell – Ring Master
Figure in Black – Non-Speaking role
Helena – An Acrobat
Esmerelda – Elderly fortune teller
Nancy – A clown.
Production History:
Recommendations:
“The opening stage directions are among the most delightful and vivid I've ever read and I long to see them (and the rest of this play) staged! Once that fantastic prelude is over, Feeny-Williams tells you exactly what kind of play this is: a circus whodunnit in the style of Agatha–but wait! Like a great magic show, tricks and illusions abound, adding up to a great unravelling of secrets. The genre and character tropes are many and every one is utilized to perfection. And the movement!!! What a gift to choreographers and dancer-actresses.
And circus mystery buffs!”
Scott Sickles (New Play Exchange)
“A tragic mystery paired with movement and the supernatural, DO NOT LET ME FALL is a masterpiece. Everything is laid out so poignantly from the setting to the dialogue to the cast of characters. Through Helena, Rachel Feeny-Williams has shown that in situations of abuse, we need to speak up against what is wrong.
I have chills. This play will be so powerful onstage.”
Hannah Lee DeFrates (New Play Exchange)
“A mystery with a cast full of suspects. Beautiful movements when words cannot be spoken. A tender connection with someone who can help. This circus inspired short piece by RACHEL FEENY-WILLIAMS is a beautifully painted 10 minutes. A choreographer and lighting designer would have a field day bringing this engaging piece to life on stage.”
Debra A. Cole (New Play Exchange)
Don't Scream
(Comedy)
(5-10 Minutes)
Plot:
Alice's day takes an interesting turn when the man robbing her home is very curious about the fact that she can't scream.
Cast: (1 Male & 1 Female)
Alice - Late 20s
Dan - A burglar in his early 30s.
Production History:
18th June 2023 - Audio production on Theatrical Shenanigans - https://theatricalshenanigans.podbean.com/
July 2022 - Performed by Worcester Park, Dramatic Society in Epsom, UK as part of their Summer production.
Recommendations:
“Don't Scream is an excellently humorous and surprising play that would be a pleasure for any pair of actors to dig into. Rachel Feeny-Williams pits two temperamentally opposite characters against each other in a scenario that could easily turn sour, but she navigates them through a conversation that bound to get audiences giggling--and closes the play out on a tantalizing, refreshing note.”
Sam Heyman (New Play Exchange)
“It's a good thing this play isn't called "Don't Laugh," because we'd all fail. This is an exceedingly clever play about a woman who is being robbed at home and can't scream. (Well, it possibly wouldn't be wise in any event.) But, the lack of a scream becomes a funny psychological discussion between thief and victim, and I will not give away anything about how it ends. I applaud Ms. Feeny-Williams' comic instinct and the build up to the ending. If you do scream, it will be with laughter.”
Bruce Karp (New Play Exchange)
“A delightful two-hander built on a great prompt: what if someone is physically unable to scream and they are confronted with a terrifying situation? In this smart scene, Alice comes home to find Dan robbing her house. Her response? "Oh." As Dan digs in more and more to Alice's physical inability to scream, the burglary is forgotten and the curiously British sense of decorum takes over. I hate to say that this would be a 'scream' to produce, but it really would.”
Toby Malone (New Play Exchange)
Dream Girl
(Comedy/Drama)
(15-20 Minutes)
Plot:
Matthew, an overworked and overstressed individual takes an unexpected break, in the 1920s New York!
Cast: (1 Male & 1 Female)
Matthew - British, 30s, over stressed & trying to balance work and his family
Ginny - American, 18, talkative and happy party girl
Production History:
June 2021 - 1st Place Winner of The Surfside Playhouse 10 Minute Play Competition.
June 2021 - Virtual production by Surfside Playhouse that was converted for YouTube - https://www.youtube.com/watch?v=3rdb4HsCA5Y&t=2s
Recommendations:
“A feel good play about two lost souls separated by a century and an ocean who find each other in their dreams. Dream Girl is an original take on time travelling with two well defined characters - workaholic Brit Matthew grappling with 21st century frustrations and good time girl, flapper Ginny about to enter into a marriage of convenience in 1920s’ New York. Feeny-Williams neatly manages their platonic romance through several smooth scene changes and progressions in a compelling piece of theatre.”
Alice Josephs (New Play Exchange)
“A spoiled rich girl meets a workaholic family man. Yep, heard it before...but not like this! Feeny-Williams cleverly weaves a little morality play where the characters, in understanding one another, take stock of their own lives and motivations. Adding another layer to her story, she has them travel across decades to meet in a dream, or perhaps a time shift where we find them giving and taking advice to rewind and reset their lives and loves.
The interplay is superb!"
David Patton (New Play Exchange)
“Too much work makes Jack, or in this case, Matthew, a dull fellow. But once he drifts off into dreamland, about a century and an ocean away, he meets bubbly birthday girl, Ginny. Their sweet, platonic relationship will have you smiling throughout this delightful play. The ending is especially satisfying as Matthew learns there is such a thing as work-life balance. Thank you, Rachel Feeny-Williams, for this sweet dream.”
Morey Norkin (New Play Exchange)
“Dream Girl” by Rachel Feeny-Williams is charming and entertaining. The idiomatic jargon of the 1920’s mixed with the contemporary English colloquialism flows from scene to scene in a very realistic, witty manner, and has quite an enjoyable plot. This play is a dream/fantasy, that takes two characters on quite a journey. Both characters are curious, for different reasons, as to how and why their lives have collided. It’s not romantic story, yet romance is in the air. Matthew, an Englishman, is a workaholic, who has allowed his job to take precedence over his wife and children. Ginny, a young American girl, is trapped in a world that expects her to marry for a comfortable and reliable future. The two find each other in a dream; whether or not the dream is real remains immaterial. How they influence each other’s future is the real story. Both characters are well written. The scenes and the lines flow beautifully. The words are quick, smart and revealing. This play is infectious; the story keeps you entranced and wondering what will happen next. “Dream Girl” by Rachel Feeny-Williams is truly an entertaining play. The plot makes you pause and think on what life is really all about, and at times makes you break-out laughing. It is silly, but remains very poignant in the world in which these characters live their lives. Surfside Players 10-Minute Playwrighting Contest thanks Ms. Feeny-Williams for her delightful play entry. We look forward to her next endeavour."
Jennifer Wolf (Surfside Playhouse)
Drink This
(Comedy/Drama)
(15-20 Minutes)
Plot:
We all have our own thoughts about certain types of drinks but what are those drinks thoughts on us?
Cast: (1 Male & 1 Female)
Lemon Squash (Cordial) – Dressed all in yellow. Chews gum loudly.
Coke – Hyperactive. Sits on the opening of a box of Coca-Cola
Gin – Mid 30s – Kind and friendly
Vodka – Russian in her late 20s
Bubble-gum Liqueur – Very hyper. In her 20s. Dressed all in blue and glitter
Blackcurrant Squash (Cordial) – Dressed all in purple. Snorts when he laughs.
Famous Grouse – Late 30s, set in his ways.
Johnnie Walker Black – 50s – American very snooty.
Production History:
Recommendations:
“Who doesn't love mixed drinks? Apparently, they themselves don't mix as easily as you'd think. At least that's what we learn from Rachel Feeny-Williams' brilliant take on why liquor and relationships can be a rough ride. Perfectly capturing social dynamics and the quick-pace change of pecking orders, we also get to see this displayed in such a fun way, with anthropomorphized bottles of various alcoholic and non-alcoholic beverages all vying for their turn in the glass. This would be wonderful for an audience to see staged. You could enjoy these drinks and still drive home afterward.”
John Busser (New Play Exchange)
“This is so enjoyable, like a tall, cold glass of your favorite beverage on a hot summer day. Rachel Feeny-Williams has created a fun one-act that provides a perspective on life and love from the point of view of various beverages. A clever setting with delightful characters. Pour yourself a tall one and enjoy this!”
Morey Norkin (New Play Exchange)
“I love the complexity of imagination that Rachel brings to her plays. This play doesn't disappoint in the least when it comes to imagination. Pinning potential loss into a long-lasting kindship is familiar, but when you put it to liquor it takes on a whole new meaning. The only thing that upsets me is that this show has been around for nearly 2 years and I hadn't read it yet. I smiled, I laughed, I enjoyed the entire premise, I rooted for the characters, I'm glad they kissed. What a fun show!”
Joe Swenson (New Play Exchange)
“Anthropomorphic booze is a great concept. That the liquor collection is a microcosm for what's going on in the world says as much about us as it does the world! I very much enjoyed Feeny-Williams' pacing. The dialogue was crisp and exact. I look forward to reading more from this playwright.”
Bill Arnold (New Play Exchange)
“Can liquor be adorable? Because the liquor here is sooo adorable! What started out as just a fun premise turned into a sweet love story. Quite a bit of fun to be had with this piece. Just think of the set and costume design opportunities!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“We've often heard, or often quoted "it was the drink talking", well in this fun play Rachel makes the alcohol do just that. What a great idea to have drink bottles talking to each other, animated and interacting with each other when we think they are standing quite in the drinks cabinet. That aside this is a touching tale of friendship. It's got a lot of bottle!”
Christopher Plumridge (New Play Exchange)
Dungeons, Dragons and Daquiris
(Comedy)
(5-10 Minutes)
Plot:
Planning an event is always complicated, even in the mythical realm of Dungeons and Dragons!
Cast: (1 Male & 1 Female)
Kathryn - Has a cats head and tail
Michael - Elven in appearance
Production History:
Recommendations:
“Cocktail parties and mythical and non-mythical creatures all dwell in the fertile imagination of Rachel Feeny-Williams. A delightful short play about an ordinary couple conversation, made unique and heightened by it's Dungeons and Dragons framework. I enjoyed every line and would love to see this on stage. Read, produce, and hope you make the invitation list!"
Arianna Rose (New Play Exchange)
“An amusing piece about planning a party - made extra silly and spicy by the world of Dungeons & Dragons. The dialogue is so relatable - I mean, who hasn't had a boss who struggled to keep his tentacles to himself?! Super fun!”
Mara Dresner (New Play Exchange)
“This is a fun two-hander that entertains during the most mundane of tasks - making a list of guests for a party. The juxtaposition of this rather ordinary task with the colorful composition of hosts and guests simply adds to the fun. Natural witty dialogue provides an air of normalcy in a fantastic setting. Very entertaining!”
Mike Byham (New Play Exchange)
“A subtle and sublime comedy about tired adults at the beginning of the end of their day working hard figuring out how to play! A “who shall we invite” negotiation has never been more effortlessly fun. Our hosts are a bicker-free married couple who manage to be entertaining as they determine who to entertain. Their guests are going to make the impending soirée quite an event and, frankly, I’ll be quite insulated if I don’t receive an invitation!”
Scott Sickles (New Play Exchange)
“Have you ever wondered what dwarfs, dragons and other mythical beings get up to when not fighting in films or story books? No, neither have I. But anyway here's the answer, they organise posh soirée's in suburbia, at least according to Rachel in this subtly funny two hander, which would be great fun to stage!”
Christopher Plumridge (New Play Exchange)