A & B
A Certain Pedigree
(Suitable for Youth Production)
(Approximately 10 Minutes)
Plot:
The dogs of the members of the Havendale holiday country club are meeting for the first time that Summer but some have their concerns that a new puppy will ruin their relaxation.
Cast: (4 Male & 2 Female)
Oliver – Leader – A brown Labrador
Henrik – German Shepherd
Bruce – Boxer – a brute but a bit dim
Samuel – An older sheepdog
Benji – Excitable Puppy
Gi-Gi – A French Poodle – Bit of a flirt
Production History:
February 2022 - Live production by Chudleigh Amateur Dramatic Society, Devon, UK.
Recommendations:
“I always imagine that that my dogs are speaking to me most days and gladly carry on conversations with them even though the experts say that's not really the best way to communicate with them but Feeny-Williams's charming play gives me hope that just maybe they are getting a lot more our conversations than the experts say they are getting. If nothing else we have some wonderful life-lessons that we can learn and remember from reading about this lazy summer afternoon spent with the neighborhood dogs who have come out to relax and enjoy the summer and bond.”
Lee R. Lawing (New Play Exchange)
“This play is quite a delight and provides lessons to us all about camaraderie, acceptance and family. The characters could be dogs or humans and learn the proper lesson that inclusion is better. I really enjoyed Ms. Feeny-Williams' writing and the comic build up leading to a satisfying ending.”
Bruce Karp (New Pay Exchange)
“I had a french poodle and this was totally her personality. So much fun and a great perspective on inclusivity. We fear what we don't know or perhaps are threatened by it but if we learn to move past that and open our hearts it can enrich our lives.”
Dana Hall (New Play Exchange)
“Rachel Williams’ short piece “A Certain Pedigree” is such a powerful play. A wonderful juxtaposition between what it means to be liked and to be somewhat…different. Benji is the new pup of the family that might seem him as useless to his owners, only to realize he has a true friend group by his side. A lovely play that audiences will rave over. Produce and produce again! Well done!”
Jaxson Mackling (New Play Exchange)
“Love this play and the consistency of the characters to their dog breed. What fun. Interestingly Rachel builds an environment where dogs/humans are interchangeable. As someone who loves dogs though I love the idea that they remain dogs. RFW is a tremendous artist and so diverse. Congratulations on another compelling piece of art!”
Joe Swenson (New Play Exchange)
“ADORABLE! This coming of age piece is extra delightful as it from the perspective of dogs. So many wonderful characters are ready and waiting for seasoned actors/actresses thanks for RACHEL. This short play would charm audiences of all ages at any play festival.”
Debra A. Cole (New Play Exchange)
“Great fun! A short piece where actors will be able to explore their 'inner dog' and learn not to act like cats. Short and sweet.”
Nora Louise Syran (New Play Exchange)
“What a lovely dog-gone play! Really though, it is a wonderful way to teach tolerance, and I'd love to see it done for Theater for Young Audiences. Acceptance, belonging, supporting, and encouraging all wrapped into ten minutes.”
Karen Fix Curry (New Play Exchange)
A Christmas Carol (But not as you know it!)
(Seasonal)
(60 - 90 Minutes)
Plot:
This take on the classic ‘A Christmas Carol’ is set in modern London and follows the events of one Christmas Eve for cold hearted loan shark Edwina Scrooge.
Cast: (6 Male & 7 Female) - Doubling up Possible
Daz – Narrator
Ben Cratchitt
Jack – Scrooge’s Boss from the past
James – Scrooge’s Love from the past
Ghost 3 (Future) – Nightclub Bouncer
Man – A Homeless Man
Father – Scrooge’s father from the past
Officer – Police Officer in Future
Harold – A Homeless Man
Man 1 – Businessman in Future
Daniel – Fran’s Huband
Man 2 – Businessman in Future
Chaz – Narrator
Edwina Scrooge
Fran - Scrooge’s Niece
Grandmother (1 speech)
Scrooge 3 (Scrooge in her early 20s)
Woman 2 – Girlfriend of Man 2
Mildred – Charity Worker
Juliette Marley (Ghost) -Scrooge’s Business Partner
Ms Hawthorne – Scrooge’s Teacher from the past
Beatrice – Charity Worker
Ghost 1 (Past) – Female – Punk Teen
Scrooge 1 - Scrooge Aged 6
Emily – Ben’s Wife
Scrooge 2 - Scrooge Aged 13
Ghost 2 (Present) – An older woman
Woman 1 – Girlfriend of Man 1
Extra’s
4 School Girls (Past)
Scrooge’s Co-workers (Past)
Production History:
Recommendations:
“Rachel Feeny-Williams' UNTITLED CHRISTMAS PRODUCTION takes the Dickens classic, modernizes it, swaps some gender roles, adds some slapstick, and delivers a delightful adaptation for those looking for a fun alternative to their holiday lineup.”
Melissa Schmitz (New Pay Exchange)
“Holiday shows, especially ones based on A Christmas Carol, are an exercise in tightrope walking. How do you be sentimental without becoming mawkish or turning wiseacre? Rachel Feeny-Williams shows herself an accomplished tightrope walker with this show. It tells the story, has some surprises, keeps the sentiment and seasons the mixture with humor. What more could you want for Christmas?”
Richard Thompson (New Play Exchange)
“A fresh retelling of Scrooge and A Christmas Carol. Highlighted are Feeny-Williams' voice and vision in the dialogue as well as efficient staging. Strongly recommended for December programming.”
Maverick Schmit (New Play Exchange)
A Deadly Engagement
(Murder Mystery)
(30-45 Minutes)
Plot:
Lady Katherine Helsington has gathered her family and a few close friends for a dinner party to welcome her son James and his new wife Felicity. However, people did not murder to be on the menu!
Cast: (5 Males & 4 Females)
Master James Helsington – Victim & son of Lady Katherine
Dr Andrew Stevens – A Surgeon from London
Detective Matthew Braddock Reverend Kevin Carsten
Manson – Butler
Mrs Felicity Helsington /Layton – New wife of James – American
Miss Daphne Helsington – Sister of James
Lady Katherine Helsington – Mother of Daphne and James
Louisa – House Maid
Extras: 2 x Police Constables. (Can just be 1 doubled from actor playing James)
Production History:
July 2022 - A scripted reading performance by Exton Drama Club, Devon, UK.
Recommendations:
“Those who know expectations are smart, and smarter still are those who play them and their expected inverses. As Rachel Feeny-Williams leads you through the many secrets of the Helsingtons, you gain a sense of smugness, feeling as if you solved the mystery by pure intuition or familiarity with the genre. But when a scant detail from the very start, which I well forgot, come into play, you can't help but smile at the truth. Mix that in with an ending step of sweet love, and you have a delightful show.”
Jarred Corona (New Play Exchange)
“I love the "house party murder mystery" genre, and Rachel Feeny-Williams doesn't disappoint! With the verve of Agatha Christie, Anne Perry, and Rhys Bowen this play is must for any murder mystery fan and will delight audiences and production teams alike. Put this onstage soon!”
Chelsea Frandsen (New Play Exchange)
“There is nothing like a Rachel Feeny-Williams murder mystery! Set in a drawing room with all of the characters in formal evening wear, DEADLY ENGAGEMENT pulls you in immediately as each character seems suspicious even before the crime has been committed! I love playing detective, but I’m no match for Rachel’s skillful sleight of hand! A wonderful night of theatre is waiting for someone to produce it!”
Morey Norkin (New Play Exchange)
“A whodunit to make Christie proud, filled with hidden motives, secret lovers, and deadly machinations. Feeny-Williams' versatility is to be applauded, as it's a piece any age could enjoy, and I could see this having a long life with schools and adult theatres alike. Scratches the itch most well, especially in a genre that we don't see enough of in the modern day.”
Daniel Prillaman (New Play Exchange)
A Few Questions
(Crime/Thriller)
(10-15 Minutes)
Plot:
60 year old Jessie Burrows and her son have been brought in for questioning in relation to 16 bodies that have been discovered under her old house, the location of the husband who abandoned her and a possible connection between the two.
Cast: (4 Males & 1 Female)
Jessie Burrows – A woman in her 60s
Chris Chapman – Jessie’s solicitor – Early 30s
Dt. Raines – A detective in his 40s
Sgt. Clayton – A police sergeant in his 30s
Henry – A young man in his 20s
Production History:
Recommendations:
“What seems like a standard reluctant-witness police interview goes where none such has gone before. Literally and figuratively, Feeny-Williams leads us down the garden path to discoveries no one would have anticipated and then to a mind-blowing conclusion. The lead female character especially will challenge an actor in all the best ways. I heard and very much enjoyed this work during an online reading and recommend it highly.”
Donald E. Baker (New Play Exchange)
“Ms. Feeny-Williams has created a very interesting and ultimately harrowing Sweeney-Todd-like story that will surprise you and delight you for its cleverness and surprise ending. And that is all I can say without ruining the story. Well done!”
Bruce Karp (New Play Exchange)
“Nice little twist at the end. Don’t want to give anything away, but the ending is not what you’d expect. Interesting characters that give actors plenty to work with. Great read!”
Dan Taube (New Play Exchange)
“CLASSIC RACHEL FEENY-WILLIAMS! Well developed characters... sharp and natural dialogue...and misdirection...OH,THE MISDIRECTION. There will be moment where audiences will gasp as the story unfolds, and it is perfect. Truth is a funny thing.”
Debra A. Cole (New Play Exchange)
A New Day
(Comedy)
(15 Minutes)
Plot:
Day has been working hard ruling the skies in daytime doing her own, and everyone else's share for many years. Now Night has come along to remind her just what she has given up and what she faces if she keeps working that hard.
Cast: (2 Males & 2 Females)
Day – 40s. Very organised and works incredibly hard, refusing to delegate.
Polaris (Polly) – The North Star. A woman in her 20s. A bit of a giggler and has been known to disobey the rules now and again, mostly in the name of fun.
Night – 40s. Smooth talker and is a firm believer in delegation and relaxation.
Zing – A shooting star. A man in his 20s. Believes himself to be the bee’s knees.
Production History:
Recommendations:
“Any workplace comedy about abstract concepts will have my attention, but it’s Rachel Feeny-Williams’ fantastic dialogue and characterizations that made me a fan. This is a fun, clever, and touching look at the forces that make our world spin ‘round. Put it in your next short play festival!”
Elle Meerovich (New Play Exchange)
“RACHEL FEENY-WILLIAMS is a true artist. From one simple prompt - TIME - and one bonus suggestion - FIRST - she has created a short play that will make audiences think and smile. The dialogue is perfection, and the concepts are delightful. STELLAR SHORT PLAY FESTIVAL piece.”
Debra A. Cole (New Play Exchange)
“An absolutely beautiful play about time, purpose, and responsibility. The characterization of Day and Night is just done so masterfully and with Grace. The addition of the North Star as well is so welcomed and so fun! I absolutely can’t wait to see what other stories Rachel comes up with this month!”
Cole Hunter Dzubak (New Play Exchange)
A Primitive Species
(Drama/Science Fiction)
(10-15 Minutes)
Plot:
Sarah is excited to be accompanying her boyfriend Mark on a retreat to stay with renown geneticist Professor Derringer but as the mysteries and secrets turn up it becomes apparent there is more to this than meets the eye.
Cast: (2 Males & 2 Females)
Mark – Early 20s – Sarah’s Boyfriend
Dexter – Late 30s
Sarah – Early 20s – Mark’s Girlfriend
Angela – Mid-40s
Production History:
Recommendations:
“Once again, Rachel Feeny-Williams has convinced me she should be writing episodic television! This is such a great piece, I feel like it would be a Twilight Zone or Tales from the Darkside episode people would continue to talk about and analyze for years. An instant classic! We immediately know who the villain is in this play, but we have no idea how dark things can get for him. If expanded this would be a very cool horror film script!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“From lights up it is immediately clear that Mark is an a**hole, and we wonder how poor Sarah can put up with him. At this retreat/job interview, life seems to be one big continuous experiment. There is intrigue, surprises, and a satisfying payback. The drama combined with the questions raised about genetic engineering will have audiences buzzing.”
Morey Norkin (New Play Exchange)
“I'm a sucker for Sci-fi stories AND stories where someone gets their comeuppance. This one has both. Although I really wanted to see Mark become more devolved than he already was, this was in some ways more satisfying. Sarah isn't the doormat she seemed and held Mark's fate in her hands. Her showing mercy shows how evolved she is. The setup is intriguing, the characters nicely drawn and Rachel Feeny-Williams has another winner here.”
John Busser (New Play Exchange)
“Oh how I love a good table turning! RACHEL FEENY-WILLIAMS has created a scenario where experimental genetics thrive, sexism is exposed, and balance is possible. BRAVO!"
Debra A. Cole (New Play Exchange)
Accidental Fatal Attraction
(Comedy/Drama)
(5-10 Minutes)
Plot:
They say all relationships have a connection. Two days ago Carmen was Jake’s date, today she is his accidental assassin. What will happen? Who knows?
Cast: (2 Males & 1 Female)
Carmen – Assassin, late 20s/30s
Jake – 30s
Gino – Assassin, 30s
Production History:
Recommendations:
“Accidental Fatal Attraction is a wonderfully funny DARK comedy. Almost every line takes you to a new place. We get to know each one of these crazy characters almost immediately. If you want to go on a jolting joy ride and enjoy laughing-- this is the play for you!”
Glenn Alterman (New Play Exchange)
“My, this delightfully unique play grabs you in its first few seconds! And what unfolds is a mashup of ruthless violence, workplace comedy and supernatural love story. Actors would have a blast bringing these characters to life (or death).”
Nathan Christopher (New Play Exchange)
“What I love about this short is we can all relate to Carmen, as we’ve all had jobs that feel a bit over our heads- never mind that Carmen is an assassin. I love all the delightful little surprises as the story unfolds, and I would love a sequel to see what happens to these three next. (Especially Gino!)”
Lisa Dellagiarino Feriend (New Play Exchange)
“Ha! So much happens in these 6 short pages, you'll be just as flummoxed and in love as Carmen and Jake. And isn't that just what love does? Knocks you on your feet, stops your heart and leaves you confused? I'm glad to see these two kids taking chances on life and each other!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“I am a sucker for ridiculous love story, and ACCIDENTAL FATAL ATTRACTION fits the bill BEAUTIFULLY! I adore the hysterical worlds created by the talented Rachel Feeny-Williams. This couple is sure to go on to more outrageous adventures... if they live long enough."
Debra A. Cole (New Play Exchange)
“Who says romance is dead??? There are so many delightful elements to this play and Feeny-Williams relentlessly keeps them coming. The pace is breath-taking (at times, quite literally) but never hinders our getting to know the characters who you can't help but root for. Even Gino. You'll see what I mean about Gino. In the meantime, treat yourself to this pitch black romance. You'll be laughing for one reasons and smiling for others.”
Scott Sickles (New Play Exchange)
“This may be the most unlikely, fun, creative love story I’ve read! The humour just bubbles up organically because Feeny-Williams puts characters in a genuinely funny situation (albeit dark), and then lets things play out to their inevitably absurd ends. Nothing can stop love, it seems—not even a gun with a silencer. Festival audiences will love this play.”
David Beardlsey (New Play Exchange)
“A rookie and comeuppance ghost story with a clever corporeal twist. An easy play to stage, this is a gift for actors and a director and an entertaining piece for anyone lucky enough to watch it!”
Alice Josephs (New Play Exchange)
Adrift
(Comedy/Drama)
(15-20 Minutes)
Plot:
A group of friends, attempting to enjoy a nice day at the beach together suddenly have a turn when they find an unconscious girl a drift in a boat.
Cast: (3 Males & 4 Female)
Mark
Peter
Jake
Lisa
Naomi – Jake’s ex-girlfriend
Katie – Peter’s little sister
Ariel – Girl from the sea
Production History:
July 2022 - Live Production by Upstage Lights of Billingham, County Durham, UK.
Recommendations:
“I love the rabbit hole that this group of friends do down when they discover the unconscious girl in the boat. Is she a mermaid or alien? Or on the run from gangsters. Our imaginations have certainly grown with the influx of streaming data at our fingertips and eyes, but what I love most about this mysterious and comedic play is the how they all come together in the end to solve the puzzle, even a couple who have recently split up, proving that friendship is one of the strongest bonds out there.”
Lee R. Lawing (New Play Exchange)
“Friend groups aren't the easiest thing to write, and the one in this play has a lovely, lived-in quality, where each character feels distinct. It feels like these characters are on the cusp of change, cracks starting to show in their group, the loss of innocence amplified by the presence of the young, imaginative Katie, who makes a great foil for the adults' squabbling.”
Connor McShane (New Play Exchange)
"Rachel Feeny-Williams is an amazing playwright. I had the pleasure of directing her play “Adrift” in the summer. My cast and I thought it was a great script we could really sink our teeth into and we had great reviews from the audiences. I look forward to working on another of her plays."
Stephanie Cubello (Director of 2022 production of "Adrift")
“Rachel Feeny-Williams delivers in lightweight comedy, giving us a great representation on how young adults navigate through their petty and legitimate issues. The ending of this piece leaves the audience wanting more!”
Ian Donley (New Play Exchange)
“Adrift is full of comedy and then, mystery. (Mystery loves company...) The characters are typical 20-somethings, navigating relationships, making attempts at being responsible, and trying to find out why there's an unconscious woman floating alone in a boat in the sea. Though we are never told the reason (part two is coming, perhaps?), there's enough speculation, some logical, some wild, to give the characters and audience much to think about. The situation is set up very well, with excellent detail, and the characters all have specific characteristics that set them apart from each other. Well crafted and hope it's produced!”
Bruce Karp (New Play Exchange)
""Adrift" starts as a fun dramedy about a group of friends navigating the fallout of a couple's failed relationship and ends with an intriguing mystery that leaves you wanting more. It is, at its heart, a play about relationships and boundaries. It's about personal recovery after being set adrift in life when a relationship ends. The truth of the characters really shines when they spot a boat containing a deep mystery adrift offshore. "Adrift" is a fun contemporary mystery that raises more questions than answers and gives permission to the audience to come to their own conclusions.”
Robert J. LeBlanc (New Play Exchange)
Adult Membership
(Comedy)
(10 Minutes)
Plot:
Samantha is keen to claim the 'wonderful prize' that comes with membership to club adult but she didn't realise how complicated a survey could be.
Cast: (2 Females)
Mary - 50s
Samantha - 30s
Production History:
Recommendations:
“I have always wondered what made me an adult. Rachel Feeny-Williams exceeded my expectations as she laid bare expectations, contradicted them and made them personal. Concise and witty, you may want to take your own test and see if you qualify. Because there will be prizes. Prizes for being an adult - what a concept!”
Claudia Haas (New Play Exchange)
“What if you had to successfully complete a survey to be eligible for adulthood? Rachel Feeny-Williams asks that question in this funny little play and then works the situation out to a satisfying ending. It's the kind of quirky thing she does so well. Great fun.”
Donald E. Baker (New Play Exchange)
“What a hoot it was to play one of the brilliant characters in this short play by RACHEL FEENY-WILLIAMS at our Sunday playwriting group. RACHEL does what she does best here...She introduces us to colourful characters, adds in a bit of evasion, grows the tension naturally, then brings it all home is the most satisfying way possible. PERFECT.”
Debra A. Cole (New Play Exchange)
“This highly clever, funny and insightful short play about societal expectations about adult behaviour and making meaningful connections is outstanding. Rachel Feeny-Williams is an expert at creating a concise, thought-provoking comedy in a mere ten minutes. I reflected on my own perceptions of maturity and conforming to cultural standards of adulthood as I read this play and considered if the boxes I check in my own head align with my own desires and needs. Fantastic!”
Andrew Martineau (New Play Exchange)
“What does it take to qualify as someone suitable...for adulthood? And who sets the definition of "adult"? Samantha's interview with a rather strange institution that promises prizes for level of adulthood takes a bizarre turn, causing her to re-examine her own life choices in the face of what's "expected." Funny, unflinchingly direct, and a great two-hander.”
George Sapio (New Play Exchange)
“ This is a hilarious take on taking surveys, and on what it might take to achieve "adulthood," although the conditions are less than ideal for the survey taker, who ultimately decides it is not worth the trouble. Very clever premise with some laugh-out-loud dialogue, this is a perfect play for a short play festival and I expect, will be part of one soon. ”
Bruce Karp (New Play Exchange)
Affairs
(Comedy/Drama)
(5-10 Minutes)
Plot:
When Helen goes to confront Vivienne (the woman her husband is having an affair with) she gets a LOT more than she bargained for.
Cast: (2 Females)
Vivienne - Early 30s. Having an affair with Helen’s husband
Helen - Early 40s
Production History:
June 2023 - Audio Production on the Theatrical Shenanigans Podcast - https://theatricalshenanigans.podbean.com/
January 2022 - 3rd Place in the "Surfside Playhouse Online Play Competition"
Recommendations:
“This naughty play has two juicy roles for female actors. Vivienne defies stereotypes and comes out on top. I would enjoy seeing this performed.”
J. Lois Diamond (New Play Exchange)
“There was obviously a lot of thought put into this magnificent little play. All of the circumstances and the what ifs and the how about clearly filled in. Also, the play has a magnificent sense of humor and style. You will enjoy every second of it.”
Dan Taube (New Play Exchange)
“It's so cool to come across a play like AFFAIRS that has such a strong historical precedent. Vivienne - as a descendent of the wily and manipulative courtesan championed by the ancient Roman comedy-writer Plautus - is hilariously always in control from the moment Helen enters her flat. I love the physical comedy of Vivienne sidestepping the blow from Helen and pulling her inside - as someone who's evaded the blow of a wronged wife a thousand times. It's also great that as she's finishing destroying Helen, Vivienne is making the bed and preparing for her next appointment. Outstanding job!”
Charles Scott Jones (New Play Exchange)
“Rachel has built a pair of remarkable characters. I think we all wish we had the confidence of Vivienne, but are too often Helen’s. The forethought and purpose behind Vivienne’s dialogue had me thinking that there might’ve been a 3rd option. The ambiguous ending after a high paced act/react, was perfect. Rachel’s writing is so sublime that when you expect a twist she waits and when you least expect it, she hits you with it. Fantastic script.”
Joe Swenson (New Play Exchange)
“Ah, what a tease, Rachel is a master in cliff hangers! Here she has written a darkly comedic two hander between a very streetwise 'professional' lady and a worried, angry wife, what ensues is a fun, awkward and downright clever stand off between the two. I think this play creates exciting roles for two enthusiastic actresses. As usual with this authors work, I'm left wanting more!”
Christopher Plumridge
After Happily Ever After
(Comedy)
(5 Minutes)
Plot:
Prince Charming thought that after the story finished and the ‘Happily Ever After’ had been said he was set but apparently Princess has other ideas.
Cast: (1 Male & 2 Females)
Prince Charming
Princess
Duchess – Walk on part – no lines
Production History:
July 2023 - Audio Production on Theatrical Shenanigans Podcast - https://theatricalshenanigans.podbean.com/
November 2022 - Live production by The Robinson Players, Bates Theatre and Dance, Maine, USA
Recommendations:
“Do we feel a little sorry for poor Prince Charming? So handsome, so clichéd, so shallow, so DUMB. Poor schmuck just wants his story to turn out right and sassy, independent Princess refuses to play along. Rachel Feeny-Williams turns the tables on her title's cliché with verve, wit, and economy. But just as Princess has her woodsman waiting, so Prince Charming can always find the Duchess he cares about just as much (or as little) as he cared about Princess.”
Larry Rinkel (New Play Exchange)
“What a fantastic show by the incomparable Rachel Feeny-Williams. Brilliantly crafted to expose the sham that is fairy-tale endings by telling the story just after. As a reader you become stuck between the pathos of Charming and the independence of Princess. Rachel hits you hard with some really important truths about relationships along the way, including the cyclical nature. Really great show by a fantastic playwright.”
Joe Swenson (New Play Exchange)
“A hoot and it strikes at the fecklessness of the fairy tale template. Wish there were more like Princess and fewer like Prince. (Maybe he should drop the title and just be Charming, get to know some folks, friends and such, before settling down.) Why do fairy tales seem to value beauty above all else? With humor and panache, HAPPILY EVER AFTER advocates getting to know each other before we wed. Has anyone in a fairy tale had a date? I like Princess for having a "cheeky snog" (perhaps in the snug of a pub) with the woodsman.”
Charles Scott Jones (New Play Exchange)
“Princess is a hero to us all - just a girl doing her job with confidence and realistic expectations. Rachel has done it again with clever dialogue, real emotions, and fully realized characters - all in just five minutes!”
Debra A. Cole (New Play Exchange)
“This short play is a charming twist on a fairy tale ending. Feeny-Williams did a great job at making me care for each character and their own “happily ever after.””
Samantha Marchant (New Play Exchange)
“This is a five minute play that packs a punch! Charming is so clueless, and yet the audience knows his charm is razor thin and he doesn’t really want to be in love as much as adored. Princess is beautifully self-actualized. Great short play for teens and young audiences, and even older people who grew up on these misguided fairy tales!”
Andrew Martineau (New Play Exchange)
“Prince Charming and his out-of-date expectations meet their match in the witty. self-assured Princess (her name, not her title!). This is a clever play on the false narrative of a happily ever after conclusion to any story.”
Paul Donnelly (New Play Exchange)
“What spirited little piece! The opposing views are lovely, the nod to women's lib (is there a more modern term for it than that?) fantastic, the fact that in the end another potential partner rolls along so everyone does in fact get their happy ending. A very fun romp that should be required reading for every young girl along with the children's book the Paper Bag Princess. Enjoyed this a lot."
Raven Petretti-Stamper (New Play Exchange)
“I love fairy tales, and I love them debunked and shown for the (potentially damaging) nonsense that they really are! After Happily Ever After is an adorable comedy that debunks the Happily Ever After idea with verve and sass. I love the costume change, and the great one-liners! These are well-written roles and the whole world (including the woodsman!) feels rich and well-conceived. Thank you!”
Emma Goldman-Sherman (New Play Exchange)
“Isn't it the truth? The fairy tales we grew up on were just a means to an end of the book photo opportunity. After the last page, what happens? But we can't stand there in our heavy gowns, waving and smiling forever! Funny piece. Would be fun to stage. Great for your student performers!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“This is the fifth play in Rachel Feeny-Williams's collection "My Chatter" and it's a lovely one. I love how the playwright's voice shines through. I can imagine the actors having a good laugh with this one. It has a nice never-never-ending to it... Well done!”
Nora Louise Syran (New Play Exchange)
“Haha I love this little play, having recently had the honour of directing Cinderella in my home town, this would have been a fun anecdote for after the curtains had closed. Great fun!”
Christopher Plumridge (New Play Exchange)
“As we all knew it would be: The Prince is clueless and the Princess has all the hard realities in her pockets. A wake-up call and a station stop on the journey to what we think might be our own personal happiness. Great dialogue and would be fun to play!”
George Sapio (New Play Exchange)
“RACHEL FEENY-WILLIAMS opens up a whole new look at what we all heard about Prince Charming and the Princess. “After Happily Ever After” is a witty short piece with a big insight, at least one you probably hadn’t thought would happen.”
Jack Levine (New Play Exchange)
Alone?
(Drama)
(5-10 Minutes)
Plot:
George has been living in a shack in a frozen wasteland for twelve years. But when a strange girl appears from nowhere dressed in summer clothes, George starts to questions that which has been familiar.
Cast: (1 Male & 1 Female)
George – Late 40s/50s
Alice – 20s
Production History:
Recommendations:
“Scene setting is one of this playwrights qualities, and here Rachel effortlessly places us in in a cold lonely shack, with just one man and his dog. This man has been there for an age it seems and he's reluctant to leave but yearns for companionship just the same.
Along comes a stranger dressed in summer clothes and in true Feeny-Williams style not all is as it seems. Moving and atmospheric.”
Christopher Plumridge (New Play Exchange)
“So many questions arise in this tightly written play. George is isolated in a snowbound cabin with only a very expressive dog for companionship. Or is he? How accurate are his memories of the night his wife left him? And who is the strange woman who appears, literally out of the blue, to break into his twelve years of solitude? Fear not. All questions are answered. Or are they? Terrific writing with a patented Rachel Feeny-Williams twist at the end.”
Donald E. Baker (New Play Exchange)
“I fear that anything I say about the plot will give too much away, and that would be an injustice to this compelling, powerful short play. It's a mind-bender of a two-hander that will keep audiences rapt with attention — as I was just reading it on the page. The pacing, characters and plot are expertly executed. I loved it and would love to see it performed.”
Adam Richter (New Play Exchange)
“The ending gave me goosebumps. Taut, mysterious, and moving. A perfect 10-minute play that will keep an audience on their toes."
Ruben Carbajal (New Play Exchange)
“A classic creepy scenario, followed by a classic mysterious scenario, followed by… well, you’ll just have to see for yourself, won’t you? A beautifully layered tropefest with a marvelously gruff leading man, an ethereally mysterious ingenue, loads of atmosphere, inspired narrative sleight of hand, and a brilliant offstage canine companion! Just when you think you’ve seen it before, Feeny-Williams reveals another layer, each richer and more detailed than the last. It’s a lovely journey in one remote room. You’ll feel the chill and taste the coffee!”
Scott Sickles (New Play Exchange)
“Another wonderful short play by Rachel Feeny-Williams. George finds his peace and quite disturbed by a mysterious woman. As the moments unfold, audiences will be at the edge of their seats. LOVELY!”
Debra A. Cole (New Play Exchange)
“A touching story worthy of the Twilight Zone. Rachel Feeny-Williams is on an amazing roll with incredible and impactful shorts.”
Christopher Soucy (New Play Exchange)
“A beautiful short play with an engaging premise and a brilliant twist I never saw coming. Well written dialogue, scattered humor, and a story that really pulls at your heartstrings. Simple yet complex all at the same time this would be perfect for short play festivals!”
Ryan Kaminksi (New Play Exchange)
“Rachel Feeny-Williams has an amazing ability to create a mood that draws you into her characters’ world and keeps you spellbound. Why has George been living alone in a shack for 12 years? And who is the young stranger and where did she come from? You must read “Alone?” to find out. I highly recommend that you do!”
Morey Norkin (New Play Exchange)
Amongst the Stars
(Drama)
(5 Minutes)
Plot:
Sarah and Jamie share a beautiful (if sad) under the night stars.
Cast: (1 Male & 1 Female)
Jamie - 30s
Sarah 30s
Production History:
October 2022 - Student Production - Hardin-Simmons University, Texas, USA.
Recommendations:
“When you know you don't have much time, it's hard not to keep track of it as it slips away. It can really put a strain on romance. Jamie's having none of that nonsense and neither is Feeny-Williams, though she keeps upping the ante while closing their window. Lovely moments cross a bleak yet beautiful storyscape like shooting stars traversing the night sky.”
Scott Sickles (New Play Exchange)
“In all the best possible ways, this is the kind of play that makes your heart drop out from under you. Poignant, heart-wrenching, and beautifully crafted in words and imagery alike.”
Jack Seamus Conley (New Play Exchange)
“Oh, my heart. Rachel Feeny-Williams has created a beautiful play about eternal love. Sad and hopeful in all the best ways. Well done.”
Julie Zaffarano (New Play Exchange)
“Here’s a lovely two handed that evokes the power of love and how bound together lovers are. Sad and poignant, it will resonate with your audience. Appropriate for any age adult couple. Produce it. It’s a gem.”
Karen Fix Curry (New Play Exchange)
Ask M.A.T.E.R
(Comedy)
(5-10 Minutes)
Plot:
Karen has her concerns when her mother Dot announces she’s found some home help by the name of Marty. Her concerns are elevated when she finds out Marty is a robot!
Cast: (2 Male & 2 Female)
M.A.T.E.R – Mechanical Assistant To Elderly Residents
Liam - Dot's grandson
Dot - In her 70s
Karen - Dot's daughter
Production History:
Recommendations:
“A sweet comedy about the perils of getting older and ways to make life easier. Ahhh if only the play were longer and we found out all the services that M.A.T.E.R. provided...I agree with other recommendations - I would like to read more!”
Fiona Leonard (New Play Exchange)
“Rachel's short piece "Ask M.A.T.E.R" is the cutest piece of theatre I've ever read. The comedy is well-thought out and lovely to read. I hope to see this piece produced over and over again. Bravo!”
Jaxson Mackling (New Play Exchange)
“Both an endearing comedy and an existential reflection on present-day family life. With two strong mother and daughter roles plus the previously reluctant youngster enthralled by the domestic paragon robot, there is plenty of potential here as a self-contained staged playlet or for the various stories of the characters’ relationship with the robot ‘to be continued’.”
Alice Josephs (New Play Exchange)
“As our loved ones age, we all fear that we can provide for them suitable care while also maintaining our own hectic schedules. While this may be cumbersome to us at times, Feeny-Williams shows that being replaced isn't what we want either. This is an amazingly strong play that hits home in so many ways.”
Neil Radtke (New Play Exchange)
Balance the Books
(Comedy)
(15-20 Minutes)
Plot:
Vera has been allowing her son Oscar to take advantage of her for years. Well now Kevin is here to make sure their relationship (and the universe) is re-balanced.
Cast: (2 Male & 1 Female)
Vera - 40s. Divorced for 15 years and mother of Oscar.
Oscar - 19 years old, living it home and entirely un-interested in leaving home. Take full advantage of his mother.
Kevin - The Spirit of Balance. Appears in his 30s. Dresses in a suit and carries a clipboard.
Production History:
Recommendations:
“I ADORE THIS SHORT PLAY! I find such pleasure in Kevin arriving to help Vera find herself again. I had the pleasure of hearing this read a weekly gathering of the "Literary and Discourse Society." PRICELESS. Strong characters, sharp dialogue, and a satisfying ending make for a perfect short play that audiences will treasure.”
Debra A. Cole (New Play Exchange)
“I absolutely loved this story! Vera is such a dear and I was grinning through each page of dialogue. I hope everyone who needs a Kevin in their life can get one! I might go check my cupboards now, in fact!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“Dr Who meets Fantasy Island (1970s) and order is restored to the universe! Feeney-Williams offers believable characters, simple staging and characters you can’t help but root for—even Oscar, who is going to learn the hard way, the railway!”
Nora Louise Syran (New Play Exchange)
“This play is for anyone who has seen someone cruising in the breakdown lane, stealing someone's parking space, or taking credit for another person's work and thinking, "I wish they would get what they deserved." Of course, that seldom happens, but in this smart, fun, short play by Rachel Feeny-Williams you get to see what would happen if a higher power actually intervened. Highly recommended!”
Robert Mattson (New Play Exchange)
Bear With Me
(Comedy/Drama)
(10-15 Minutes)
Plot:
Charlie Bear (son of Bartholomew ‘Baby’ Bear) and Catherine Locks (daughter of Goldilocks) have spent all their lives raised on anger and hate towards the other, but now they are due to start at the same school, how will the story play out?
Cast: (2 Male & 2 Female)
Charlie Bear – Son of Baby Bear Bartholomew “Baby” Bear
Catherine Locks – Daughter of Goldilocks Goldilocks
Production History:
Recommendations:
“Writing a sequel that recontextualizes the original tale is no small feat - Rachel Feeny-Williams has woven a new, classic take on the well-known story of Goldilocks and the Three Bears, and has done so with innovation, humor and heart. BEAR WITH ME is a tale of finding friendship on the other side of prejudice and mending hurt from the past. It is a lovely short play. Excellent work!"
Sam Heyman (New Play Exchange)
“LOVE THE STAGING! This charming piece settles an old grudge by way of new friends. RACHEL FEENY-WILLIAMS is an absolute genius when it comes to natural dialogue between characters. Audiences of all ages will love this short play.”
Debra A. Cole (New Play Exchange)
“Fun take on a familiar story. This would be super fun to see staged. The twist ending makes it even more enjoyable. Well done!”
Karen Saari (New Play Exchange)
“ A fairy tale adaptation....? A Bear...? I'm in! This is a clever telling of the time after the original story which throws up a few revelations. Most of all it has an important story to tell, sadly one that is rarely listened to.... if only we would stop and let the next generation build the bridges the previous generation destroyed and refuses to repair, instead preaching hatred into their children, then the world might just become one big fairy tale. Nicely told! ”
Christopher Plumridge (New Play Exchange)
Believe Me
(Crime/Drama)
(20 Minute Short & Full Length)
Plot:
Eddie has turned up at Lisa's flat in the middle of the night looking dishevelled. Having never lied to her before, Lisa is desperate to believe that her brother is not responsible for the crime he is accused of. But with Eddie's past and a determined detective working against him, will Lisa believe him?
Cast:
(Short - 2 Male & 2 Female)
(Full Length - 2 Male & 3 Female)
Eddie
Lisa - Eddie's Sister
DI Jenkins
DS Williams
Amanda (In Full Length Version Only)
Production History:
May 2023 - Full Length Version played as four part audio series on Theatrical Shenanigans Podcast - https://rss.com/podcasts/theatrical-shenanigans/934999/
October 2022 - Full Length Version converted to four part audio series for YouTube - https://www.youtube.com/watch?v=bQAW35z4rPk&list=PL3PhaNeb4ZUJVxIMiNui53j9O_FB5GZDG
April 2022 - Short Version performed at Exmouth One Act Play Festival (Winner of 'Best Original Script')
April 2022 - Short Version performed at Victory Hall, Broadclyst, Devon.
March 2022 - Short Version performed Live at Hen & Chickens Theatre, Islington, London.
Recommendations:
"'Believe Me' was a joy to direct and to be a part of. We performed the play as part of Creo Theatre's Short Play Festival in 2022 where I played DS Williams. The writing is enticing and the storyline full of twists and turns, leaving the audience guessing and putting the pieces together in their own minds. The power play between characters is interesting both from police officer to civilian, and amongst the colleagues themselves. A piece of writing that truly captures the tension when the stakes are at their highest. The play is in two halves - one half between the brother and sister leaving bread crumbs of plot for the audience and the second half of pure intense questioning and shock. It leaves the audience with one true question- who do you believe?"
Ellie Shields (Director of March 2022 production)
"Having the opportunity to play Lisa was an absolute dream. Such a complex character with a tough exterior and fragile interior. I remember first reading the script and being absolutely hooked, I just couldn't put it down. An emotional roller coaster with twists and unexpected turns. I absolutely adored this piece of writing."
Charlotte Sisson/Robinson (Played 'Lisa' in the March 2022 production)
“In this prescient and affecting 10-minute play, which contains more twists and turns than most full-length thrillers, Rachel Feeny-Williams asks a pointed question: how well do we know our loved ones, and what would we do to protect them? Her parable brings to mind an oft-reignited debate, currently in the news once again: does the impulse to defend someone we love accused of abuse, make us culpable? Should our loyalties lie with victims we don’t know, or with those we love who may contain hidden monstrousness?”
Jillian Blevins (New Play Exchange)
“ Wow. This is an incredible tension driven show. A supreme mystery. The tension throughout was palpable. I couldn't stop reading. I didn't want to stop reading. I had to know. All of it. At no point in this amazing show do you feel confident in the innocence of anyone (Except Williams). Rachel Feeny-Williams though also puts everyone in the crosshairs of being a victim or a potential victim (Except Jenkins). I can't even imagine this as an eleven-page script. Not only do I want to see this, I want to direct this, maybe even film it. Wow! ”
Joe Swenson (New Play Exchange)
“Having read the first, short version of this play I quickly realised it was screaming out to be so much longer, such was the depth of story. Now the author has granted this wish in such a deep, complex and compelling way. Add in so many twists and turns, double crossing and deception you find a TV drama screenplay in your hands! How DI Jenkins would have wished for one day more!”
Christopher Plumridge (New Play Exchange)
“This play keeps you guessing all the way through. Eddie shows up at his sister's house in the middle of the night, running from the law and swearing that he's innocent. A detective with Javert levels of obsession thinks otherwise, and Eddie's sister must decide who to believe. Fast paced and engaging, you will love to watch the mystery unravel!”
Lisa Dellagiarino Feriend (New Play Exchange)
"This intense psychological thriller hooks you in from the start and keeps you hooked. The four characters are fully drawn and the complex dynamics between all of them fully realized. We feel the horror Lisa feels as she realizes more and more about who her brother, her rescuer really is. Like a nightmare you need to talk about to shake off, this play is something the audience will be discussing after the house lights come up. and all the way home from the theatre.”
Maripat Allen (New Play Exchange)
“Rachel Feeny-Williams goes for tension from the very start, and for 20 pages she does not take her foot off the accelerator. Lisa gets backed further into a corner at every fresh revelation, but doesn't relent in her defence of her indefensible brother until—does she?—just after the blackout. It's easy to imagine the audience shouting out: "He's in the bedroom!"”
David Hodges (New Play Exchange)
“Chilling! Rachel Feeny-Williams does a masterful job of building the suspense in this crime drama. Lisa’s younger brother shows up in the middle of the night with a story that changes within moments. Enter a detective with another twist on the story. Will Lisa protect her brother as he protected her in the past? I’m not telling!”
Morey Norkin (New Play Exchange)
“Who do you believe? A Police Inspector, not unsympathetic, who's aware of a great deal of the backstory, or the brother who defended you with his life from an abusive father? What if other lives than yours are at risk? A solid and compact thriller.”
Martin Heavisides (New Play Exchange)
Beneath the Ice
(Suitable for Youth Group)
(Thriller/Drama)
(10-15 Minutes)
Plot:
After concealing a murder for ten years, a group of friends have found themselves kidnapped by a mysterious voice, set on trying them for murder!
Cast: (2 Male & 3 Female)
All Characters are initially young people and then themselves ten years later
Alice
Sarah
Cathy
Jamie
Lewis
Production History:
Recommendations:
“A simple meeting of friends leads to a suspenseful quest for the truth and more importantly remorse. I wondered if it was a commentary on morality and the collective way people can cover up truths. It leaves you wondering what will happen to Jaime when the lights go out. Very intriguing piece -Brava Rachel!”
Dana Hall (New Play Exchange)
“Beneath the ice is an edge-of-your-seat thrilling piece that provides plenty of twists (I particularly didn’t see the ending coming!) and a lot of vivid imagery that is sure to firmly capture the attention of reader and audience alike. The pacing and dialogue were strong, and each one of the roles would be great fun for an actor to step into. This would be a wonderful addition to a short play festival and I’d love to see it produced.”
Jack Seamus Conley (New Play Exchange)
“Beneath the Ice is a chilling piece brilliantly told by the writer. I love the idea of setting the central character in the white light of tragedy and the remorse of the remaining characters is clear to see. I would love to see this staged and I believe it would be a great drama for young students to take on. Great work!”
Christopher Plumridge (New Play Exchange)
Best Shot
(Suitable for Youth Production)
(Comedy/Drama)
(10 Minutes)
Plot:
Sam and Emily are siblings who are both good at football. But when there is a penalty shootout for the pitch at stake, who will come out on top?
Cast: (5 Male & 1 Female)
Emily
Sam – Emily’s brother
Dan – Sam’s best friend and teammate
Owen – Sam’s friend and Teammate
Luke - Sam’s friend and Teammate
Tom - Sam’s friend and Teammate
Production History:
Recommendations:
“I love plays that celebrate female empowerment, and RACHEL FEENY-WILLIAMS always delivers. This brother and sister rivalry will be familiar to audiences as they cheer Emily on through the football challenge. It's nice when young men make good decisions, and this friend group does not disappoint.”
Debra A. Cole (New Play Exchange)
“A very real, straight forward moment in the lives of two siblings, but the tension in the piece is so layered! Not just the power disparities between genders, but how even those closest to us perpetuate the hurt of society's prejudice. Would love to see this peice, not to mention its inventive visual devices, on stage!”
Katy Laurance (New Play Exchange)
“A timely piece as women’s football is starting to seen as viable for broadcast. A young man’s assumption of territorial dominance and superior sporting skills is proven wrong when his sister shows him up and changes attitudes with her talent. A pithy piece which ratchets up the suspense and gives plenty of directorial, choreography, stage and lighting design opportunity to make this a visual as well as a story and dialogue treat! ”
Alice Josephs (New Play Exchange)
“A delightfully charged short, set on a soccer field, vividly portraying both sibling rivalry and chivalry . Quick, witty, and spot on.”
Deb Meyer (New Play Exchange)
Betrayal
(Thriller)
(10 Minutes)
Plot:
Dr Catherine Kenworth finds herself face to face with former patient Siobhan who is wielding a gun and accusing her of stealing her family. Can Dr Kenworth talk herself out if it?
Cast: (2 Female)
Siobhan – Catherine's former patient - mid-40s
Catherine – A psychologist in her late 40s
Production History:
August 2021 - Performed by Spoonie Theatre as a YouTube production - https://www.youtube.com/watch?v=2hAAwFxIppE&list=PLUM0UqW4vSJIyfkGeOGuJc3VOb0VOkpQi&index=8
Recommendations:
“RACHEL FEENY-WILLIAMS sets up a confrontation between a doctor and a former patient, who believes there has been a big “Betrayal”. The interaction is gripping and will get and keep the audience’s attention.”
Jack Levine (New Play Exchange)
“BETRAYAL has an intriguing premise of a doctor-patient relationship that has taken a turn for the worse. The conflict is highly dramatic, and the dialogue is sharp. These characters offer two actors a chance to explore a high stakes situation with complex intentions. There are many boundaries that have been crossed, and Rachel Feeny-Williams creates a captivating story from start to finish.”
Andrew Martineau (New Play Exchange)
“I had the pleasure of hearing this read by very talented actresses at a Sunday playwright's event. WOW! This powerful piece will have audiences at the edge of their seats, and talking on the way home. Strong characters - tense moments - and altered realty. RACHEL is a a truly gifted story teller that understands dialogue, emotions, and the human condition.”
Debra A. Cole (New Play Exchange)
Better Latte Than Never
(Comedy)
(10 Minutes)
Plot:
Claire's relationship with coffee has had issues for quite some time now so Claire has decided she is going to talk about it, on a talk show!
Cast: (3 Male & 4 Female)
Lacey Au Lait – Talk Show Host
Claire – 30s
Coffee – Long term partner of Claire
Smoothy – Hippy, in her 30s.
Tea – Posh British, in his 40s.
Relentless – Intense highly agitated, in his 30s.
Production History:
Recommendations:
“Many people have fraught relationships with coffee. Here Rachel Feeny-Williams imagines one of them taking that relationship, where else?, to a television talk show. Think Claire and Coffee arguing it out ala Jerry Springer or Dr. Phil. As always with Rachel's more weird concepts, it results in hilarious theatre.”
Donald E. Baker (New Play Exchange)
“Disenchanted with a long-term relationship? A charming piece which will raise a rueful smile from many grown accustomed to their 21st century fix. Cleverly using the talk show format with its competing parties, refereed by a charismatic host, this is a wry, characterful ensemble play. With delicious roles for actors, a director can also make the most of a clash of distinctive personalities to milk those jokes in this consuming tale.”
Alice Josephs (New Play Exchange)
“Coffee demanding? High maintenance? Never! Coffee is given her fair say on a talk show and we learn all about Claire and her morning habits and infidelities. Snuggling up with other hotties in the mornings, really?! Never fear. A fun short skit that will have caffeinated and decaffeinated audiences on a real buzz.”
Nora Louise Syran (New Play Exchange)
“A fun premise, expertly delivered. (Making inanimate objects real is hard!) I laughed throughout. I don't know how Ms. Feeny-Williams is able to write a play each day. Perhaps she drinks a lot of coffee! However, she does it, this one is a winner.”
Bruce Karp (New Play Exchange)
“Oh, wow, this was fun, especially since my morning caffeine is starting to wear off a little. This play was just the jolt of energy I needed! Rachel Feeny-Williams gives us one clever line after another, and just when you think it can't get any funnier, Smoothie walks in wearing a leotard and brings all the nutrients! Fantastic job. I would love to see this performed, maybe even in a coffee shop.”
Andrew Martineau (New Play Exchange)
“HILARIOUS! Living with a coffee junkie, this is BRILLIANT! Only the wonderful mind of RACHEL FEENY-WILLIAMS would make Coffee an actual character on a day-time talk show. A MUST PRODUCE!”
Debra A. Cole (New Play Exchange)
Bing!
(Comedy)
(5 Minute Sketch)
Plot:
Bongo awakes from his sleep missing his clown nose. What will he do?
Cast: (1 Male)
Bongo - A Clown
Production History:
Recommendations:
“RACHEL FEENY-WILLIAMS uses only a few words, but the stage directions in a Zoom performance or better still a stage production with an enthusiastic actor will have the audience laughing out loud throughout this short, wonderful piece. “BING” is a delight!”
Jack Levine (New Play Exchange)
“A lovely exploration on the 'entertainer' - dancelike, in its commitment to wistful nonverbal cues. Feeny-Williams taps into the trope that shows us that perhaps the fool knows more than anyone onstage. I would love to see this performed live!”
Racheal Carnes (New Play Exchange)
“What fun Bing is, and what a simple yet brilliant idea! I would love to direct this, if only to see the look on the face of my stage manager when I tell them all what I need! This play would be visually spectacular and a delight for children and adults alike!”
Christopher Plumridge (New Play Exchange)
“Bingtastic! Why are people so afraid of clowns? This little play is a showcase for a clownish spectacle of sounds and surprises for kids and kidults. There's a simplicity here, child's play, that is a lot of fun. A fun play for costume, sound and prop designers.”
Asher Wyndham (New Play Exchange)
“I read this monologue so fast, but honestly enjoyed every moment of it. It's amazing how much the writer manages to do with so little dialogue. It's the definition of "show don't tell" and I would absolutely love to see this at some point. Even with the challenge of limited dialogue, this monologue shows a full emotional range and you truly do empathize with this clown who's lost his nose. Such a fun character, idea, and monologue! It could be the perfect audition monologue, nothing to memorize, yet so much to work with.”
Rachel Aberman (New Play Exchange)
Bob's Last Day
(Comedy)
(5 Minute Sketch)
Plot:
Bob is showing Dave around for his last day in the theatre props department but certain props are proving problematic.
Cast: (2 Male)
Bob – In his 60s
Dave – In his 20s
Production History:
Recommendations:
“Lovely ode to theater and everything that goes into learning the ins and outs of the trade, particularly for those who spend their time backstage. In this relatable and earnest (but still decidedly funny!) short comedy, Feeny-Williams has touched wonderfully upon the love, care, and understanding that goes along with passing on theatre traditions and knowledge from one "generation" to the next.”
Jack Seamus Conley (New Play Exchange)
“This is such a lovely, lovely ode to a life in and love for the theater, dedication to one’s craft, and the magic that happens on, and off, the stage. What a warm hug. ”
Miranda Jonte (New Play Exchange)
“I absolutely love this. A wild "horse." A life's work. New beginnings. Saying goodbye. Lots of wonderful feelings in a short time.”
Samantha Marchant (New Play Exchange)
“A beautiful slice of life for any theatre person. Feeny-Williams creates a gentle wonder at the traces of performances, exploring how their ephemera can be imbued in the fibers of costumes, the sturdy handcraft of properties. This little play reminds me how much I love to nose around in any theatre's storage areas! These relics sing and dance pure memory.”
Rachael Carnes (New Play Exchange)
“Maybe it’s because I read this on Halloween but I found it filled with a lovely sense of darkness and menace. Brilliantly atmospheric from moment one – and how could it not be; it’s set in a theatrical props room – I couldn’t help but think something was off and something unsettling would happen. One of the miracles of theatre is that inanimate objects are brought to life all the time. That’s the gig. This passing of the screwdriver from one propmaker to his successor is filled with history, joy, and magic both light and dark!”
Scott Sickles (New Play Exchange)
But Why
(Drama/Comedy)
(10-15 Minutes)
Plot:
When Jane chose to spend her day at the beach the last thing she expected was someone to question her choice not to have children.
Cast: (2 Female)
Helen - Mid-30s
Jane - Late 30s - Early 40s
Production History:
Recommendations:
“YES! I love a payback piece that takes a nosey and intrusive human to task. RACHEL nails the audacity of some people and handles them with ease. The dialogue is dead on in this wonderful short lay.”
Debra A. Cole (New Play Exchange)
“Women who choose to be childless were once--and in some quarters still are--strongly vilified as unnatural beings who are threats to the social order and traitors to their gender. The persistence of that attitude, and the assumptions of those who hold it, are amply demonstrated by one of the women in the mini-debate over reproductive freedom that occurs in this play. Excellent work by Feeny-Williams, as always.”
Donald E. Baker (New Play Exchange)
“WILLIAMS’ piece “But Why” is truly masterful. A beautiful juxtaposition between the thoughts of what should happen before a woman is forty. This play will make you think. Make you want to fight. Make you want to take a side, yet feel for both characters. I don’t say this very often, but “Read. Produce. Repeat.” A lovely piece that any theatre should get their hands on, and one that two females would sure love to play. Brilliant. Well written. Well done.”
Jaxson Mackling (New Play Exchange)
“There's not much more oppressive than a nosy, self-righteous busy-body and Rachel Feeny-Williams has created a portrait of a full-blooded and horrifying one in Helen. It is a pity that Jane is called upon to defend her life choices and heartening that she does so so eloquently.”
Paul Donnelly (New Play Exchange)
“What a powerful piece. I absolutely feel for Jane and just loved the progression of the conversation. Rachel Feeny-Williams is a mast of crafting dialogue and making the characters easy to relate to. This is a fantastic read and one I hope many get their eyes on!”
Cole Hunter Dzubak (New Play Exchange)