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That Question
(Thriller/Drama)
(10-15 Minutes)
TRIGGER WARNING - Violence
Plot:
Dr Astell is most curious when famous playwright Harriet Montaine is brought in for psychological examination after murdering her husband. However, through questioning he starts to learn there are some questions best left not asked!
Cast: (1 Female & 2 Males)
Harriet Montaine – Well spoken, in her 40s. A well known playwright.
Dr Astell – A doctor in his 40s
Orderly – Late 20s
Production History:
Recommendations:
“Leave it to RACHEL FEENY-WILLIAMS to take a simple prompt of "write a riddle play" and make a wonderful psychological thriller that will be pure magic on any stage. The banter between two of the characters is pure joy to experience. Don't ask me WHY, but just read it!”
Debra A. Cole (New Pay Exchange)
“A successful woman bumps off her husband of many years seemingly out of the blue...I know what you're thinking: "Why?" Well...Maybe you should just wait until the end.
This dark comedy is tricky and clever with a game built upon riddles and questions that can only be answered with more questions. This play is a treat for strong actors and intelligent audiences.”
Hannah Lee DeFrates (New Play Exchange)
That Winning Feeling
(Comedy/Drama)
(5 - 10 Minutes)
Plot:
When Sarah finds herself in a police station after a fight with a fellow mother she really needs a win.
Cast: (3 Females)
Sarah – An overstressed housewife
PC Denton – A young police officer
Dina - A vindictive and mean housewife
Production History:
Recommendations:
“Glad to see there is SOME justice in the world, as Sarah not only gets an apology, vindication in the eyes of PC Denton, AND a phone number out of the ordeal. Rachel Feeny-Williams always knows how to get you hooked into the goings-on of her characters, and this play is no exception. You're just rooting for Sarah even as it seems the Dina's of the world will always find a way to weasel into the winner's circle. I'm happy to say Rachel gives us (and Sarah) the satisfaction she so richly deserved.”
John Busser (New Play Exchange)
“Dina! What a piece of work! Everyone knows a Dina, and Sarah is the hero we all need. RACHEL FEENY-WILLIAMS showcases her patented sharp dialogue, realistic characters, and stellar humour in this delightful short play.”
Debra A. Cole (New Play Exchange)
“What a treat from Rachel Feeny-Williams! The pacing and dialogue flow so nicely and the characterization of Dina is just fantastic. I can picture this woman to a T! A very funny script and a great read. Brilliant work!”
Cole Hunter Dzubak (New Play Exchange)
“I always think of the "Dinas" in the world as having been manufactured in the Stepford Wives Corporation where appearances are far more important than the actuality of just living your life as it comes. Feeny-Williams paints a perfect picture of injustice that always lurks behind any Leave it Beaver neighbourhood that tries to hard to keep the paint from chipping.”
Lee R. Lawing (New Play Exchange)
“Full on laugh from me...startled my dog...at the end of page 7. The characters in this are so familiar and so relatable. You will be rooting for Sarah and wanting to go for coffee with PC Denton by the end of this play!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“Well I certainly got the winning feeling from this little piece by Rachel, who has successfully and quickly created a great character in Sarah, the hard done by mum. Also I couldn't help notice PC Dentons ulterior motive for holding her conversation, which became evident towards the end, great stuff!”
Chirstopher Plumridge (New Play Exchange)
The Asylum of Bridesmaids
(Comedy)
(5 - 10 Minute Sketch)
Plot:
In the depths of South London we are taking a moment to consider the majesty and beautiful musical call of The Bridesmaids.
Cast: (1 Male & 10 Female)
Voiceover (In the style of David Attenborough or similar)
Bride
Maid of Honour
4 x Bridesmaids
Predator Bride
Predator Maid of Honour
Predator Bridesmaids x 2
Production History:
Recommendations:
“If you've ever had to purchase a chintzy dress you'll never wear again, or been asked to shellack your hair to stentorian heights, or had makeup inexplicably sprayed on your face or tottered in too-tight heels or held a bride's hair while she vomited, or showed up to toast a dubious couple, already rehearsing the "I never liked him, anyway" speech for later, then this gem of a play is for you.”
Rachel Carnes (New Play Exchange)
“A funny sketch examining Bridesmaids in a bar as if it's a narrated nature documentary. Very cute.”
Duncan Pflaster (New Play Exchange)
“This short spoof on Animal Planet is so much fun! I love the flowery description of bridesmaid action/activity that the voice over provides, juxtaposed with the much less majestic reality of what the bridesmaids are actually doing. Anyone who has ever found themselves at the same bar as a bachelorette party will be able to appreciate this one!”
Lisa Dellagiarino Feriend (New Play Exchange)
The Basket Case
(Comedy)
(15 - 20 Minutes)
Plot:
When ‘batty’ old Mrs Morris tells people that some men are trying to steal her shopping basked everyone dismisses her but with the jewelry theft from the shop next door and a mysterious new Russian doctor in the home where she lives, maybe there is more to this?
Cast: (4 Female & 7 Male)
Mrs Morris
Sadie – Supermarket Worker
Janine – Care home Receptionist
Anna – Mrs Morris’s daughter
Mr Langston – Supermarket Manager
Dimitri – Jewel Thief
Igor – Jewel Thief
Sergei – Jewel Thief Boss
Dr Haldon – Care home manager
Police Officer 1
Police Officer 2
Production History:
Recommendations:
“A neat little comedy where a little old lady ‘Ladykillers’-style finds herself unwittingly involved in a jewellery shop heist. With clever, simple staging for three locations, plenty of physical as well as verbal comedy, this is a jam packed short. Plenty also for versatile actors to grab hold of as the torturously funny blunders and mis-directions escalate in a classic British farce.”
Alice Josephs (New Play Exchange)
“This is the sixth play in Rachel Feeny-Williams's collection "My Chatter" and it's hysterical. I love a clever little caper and this delivers. We've all met a Mrs Morris and she's delightful. Brava!”
Nora Louise Syran (New Play Exchange)
“What a fun little farce this is, lots of visual humour especially with the bumbling jewel thieves! In true British humour, sweet Mrs Morris gets herself tangled up with the Russian villains to great comic effect. Also the writer has made clear the set, making it easy to visualise how this could be staged. I can see this being played out to theatres across the land to the joy of the audiences. Great fun!”
Christopher Plumridge (New Play Exchange)
The Birds
(Comedy/Drama)
(*Suitable for Youth Production)
(15 - 20 Minutes)
Plot:
It’s the start of a new summer and The Gulls are preparing for the rich pickings. Betsy is dying to join them but she’s about to discover if you want anything hard enough you have to fight for it!
Cast: (2 Female & 6 Male)
Captain Barton – Herring Gull
Private Seddon – Herring Gull
Private Sloops – Herring Gull
Private Henricks – Herring Gull General Tuffington – Herring Gull
Rufus – Cat
Tess – Little Gull – Captain Barton’s assistant
Betsy – Lesser black-backed Gull
Production History:
Recommendations:
“ Totally ridiculous yet totally brilliant! I have never seen seagulls in this light before and it kind of made perfect sense! Yet behind the hilarity there are several morals being played out here, which is testament to Rachels fine writing ability. This would be so much fun to stage! Also I would love to find out how Rufus can train a Pidgeon.....!! ”
Christopher Plumridge (New Play Exchange)
“A "little gull that could" story that will delight audiences. RACHEL FEENY-WILLIAMS brings life to the previously hidden agenda of the summer seaside birds diving for chips, bread, and treats. EVERYONE needs a Rufus in the life.”
Debra A. Cole (New Play Exchange)
The Case of Bloody Mary
(Crime/Thriller)
(15 - 20 Minutes)
Plot:
Mary-Beth is in court trying to get justice for the death of her friends, but this is not ordinary courtroom and the defendant...Bloody Mary
Cast: (5 Male & 3 Female)
Judge Lucifer P.o.D (Prince of Darkness)
Mr Rau – Attorney for the Defence
Mr Hao – Attorney for the Prosecution
Dr Stein – Researcher into the legend of Bloody Mary and the spiritual world in general
Court Clerk
Bloody Mary (Non-Speaking Role
Mary-Beth – American Teenager
Mrs Burns – American Teacher/Chaperone on the camping trip
Production History:
Recommendations:
“It takes a brave writer to put Bloody Mary up in court, even if she is responsible for at least four murders! Judge Lucifer proceeds, so you know you're in for a horrific ride in this tense, slick and sometimes darkly funny courtroom drama.
Then a teenage witness takes the stand and the audience will believe this piece will soften.
What follows is a revelation, so read this for yourself to see if Mary walks free.....Very stylish!”
Christopher Plumridge (New Play Exchange)
“Not surprising that Rachel Feeny-Williams, who has created some fantastic crime dramas, would do such an outstanding job with the next step in the judicial process! THE CASE OF BLOODY MARY is superb courtroom drama. What is surprising is that Lucifer is a fairly even-handed judge. History, mysticism, and crimes of passion! What more could you want?!”
Morey Norkin (New Play Exchange)
“Leave it to RACHEL FEENY-WILLIAMS to take a NOH drama prompt and create a demon play staring Lucifer, the infamous Bloody Mary, and three innocent little Marys that summon evil while camping... well, maybe not THAT innocent. A lively and clever back and forth of dialogue is a common thread in the brilliant works of FEENY-WILLIAMS, and audiences are all the more entertained for it. THIS MUST BE STAGED!”
Debra A. Cole (New Play Exchange)
The Duck Did it
(Comedy)
(5 Minute Sketch)
Plot:
The house is a mess, the kitchen is in chaos and the babysitter is missing a finger. It seems Albert The Duck has come to visit!
Cast: (1 Male & 1 Female)
Timmy - An Eight Year Old, can be played either by a child or an adult.
Mother
Production History:
May 2023 - Audio Production produced for Theatrical Shenanigans podcast. (https://theatricalshenanigans.podbean.com/)
June 2022 - Audio Production produced by The Literary and Discourse Society for YouTube (https://www.youtube.com/watch?v=M682PZmoNmQ)
Recommendations:
“What a witty exploration of a mother's discovering the true nature of her young son's imaginary friend! The juxtaposition of her frustration and his earnestness grounds the narrative as it evolves into the delightfully fantastical.”
Paul Donnelly (New Play Exchange)
“WHAT a cute piece that would be great for a mother and son to perform! Albert, Albert, ALBERT -- you are such a "silly goose!"
Randy Hunt (New Play Exchange)
“WHAT a hilarious piece for a mother and son! You've done it again, Rachel! The phone call....PERFECTION!”
Debra A. Cole (New Play Exchange)
“RACHEL FEENY-WILLIAMS’ short play is hilarious. You will never look at a duck again in the same way after you read or watch “The Duck Did It!” This playwright never fails to please. Fun, fun, fun to read or watch!”
Jack Levine (New Play Exchange)
“Oh gosh, an embryo comedy horror movie - start casting now! :D Like a malign version of Jimmy Stewart classic Harvey (original play Mary Chase) crossed with The Omen’s child Damien (idea Bob Munger, Screenplay David Seltzer) Timmy’s ‘imaginary’ friend Albert the Duck is a terrifying unseen instrument of destruction. But one can’t help a snigger, nay giggle, nay belly laugh, as feathers fly in grotesque fashion. This of course could also be an inventive stage piece with great timing and visuals! Once you’ve met Albert the Duck you’ll never be the same again … ;)”
Alice Josephs (New Play Exchange)
The First Sip
(Comedy)
(5 Minute Sketch)
Plot:
Harry, Lewis, Carl, Jenny and Carla are paying a visit to the pub for the first time since lockdown and nourishing ‘the first sip
Cast: (2 Female & 4 Males) - All in their 30s
Carl
Harry
Lewis
Dave (The waiter)
Jenny
Carla
Production History:
Recommendations:
“This had me smiling ear-to-ear all the way through! Feeny-Williams pulls off a great trick: a truly joyous pandemic play. One way she does this is by not mentioning the pandemic at all. But it’s the first day that pubs are open, so…It’s a fast and fun five minutes from sit-down to sip among people you wish you were hanging out with. Cheers! ”
Scott Sickles (New Play Exchange)
“So here we have a short but perfectly accurate snapshot of the moment the bars opened post lockdown, friends past and new meet for their first drink out, their commaraderie is admirable as they wait to drink their first sip together in many months. Reminds me of the infamous scene in the film 'Ice Cold in Alex'. Sweet!”
Christopher Plumridge (New Play Exchange)
The First Spark
(Comedy/Romance)
(10-15 Minutes)
Plot:
Rati (Hindu goddess of desire) and Rakshasa (a creature of evil intent) have to work together when their fighting threatens love to be lost forever, and all in rhyme!
Cast: (2 Male, 2 Female and 1 Either)
Narrator (Can Be Voiceover or live character)
Rati (Hindu goddess of desire)
Louise
Rakshasa (a creature of evil intent)
Henry
Production History:
Recommendations:
“The tale of Rati and Rakshasa plays out beautifully above the unsuspecting couple as they fall in and out of love simultaneously for reasons they cannot understand. That is until the goddess and the evil creature come crashing through the portal. This play is cleverly written in rhyming couplets and I'm sure with thoughtful staging and clever lighting would be a joy to watch. Also this is a world away from this great writers usual work, so kudos for that!”
Christopher Plumridge (New Play Exchange)
“The First Spark is a delightful, playful comedy about Rati and Rakshasa, two characters from Hindu mythology, battle over the fate of a couple in love. My favorite part of this piece was the interplay between the evil character Rakshasa and the Narrator over who was going to tell the story. The play is in rhyming couplets, which makes for a nice bouncy flow. Would definitely recommend this for teens or adults.”
Ilana Lydia (New Play Exchange)
The Fourth Understudy
(Comedy)
(5 Minute Sketch)
Plot:
Brian is desperate to make sure his production goes ahead without a hitch. But when his third leading man is put out of action it seems the production is cursed!
Cast: (2 Male & 1 Female)
Brian – Director - 40s & Highly Strung.
Alex – Lighting and Sound - 30s
Alison – Stage Manager - 30s
Production History:
Recommendations:
“I had the pleasure of hearing this diabolically PERFECT piece performed at the weekly gathering of Literary and Discourse Society. RACHEL FEENY-WILLIAMS has such a beautiful gift for bringing characters to life... especially when they are so... evil. LOVED IT!”
Debra A. Cole (New Play Exchange)
“A fun, quirky piece that would work as well in an evening of murder mysteries as an evening of romantic (dark) comedies, filled with delicious character roles that any actor should love to sink their teeth into!”
Arthur M. Jolly (New Play Exchange)
“This stage manager is in charge! I love it. Funny circumstances with a funny twist. Well done.”
Samantha Marchant (New Play Exchange)
“Haha what great fun this play is from Feeny-Williams, a treat to read! I'm not sure I ever want to be in the same theatre as Alison! Fine pacey writing, I could clearly feel the tension backstage as the stage manager loses his patience, and his actors just as quickly. Great stuff!”
Christopher Plumridge (New Play Exchange)
The Girl in the Mirror
(Horror)
(10-15 Minutes)
Plot:
Hannah is devastated when her family move her to her grandmother’s former house and make her start a new school…but then she meets Sarah, the girl in the mirror.
Cast: (3 Females)
Hannah – A modern teenager
Sarah – A girl from the early 1900s – A parlour maid in a house through the mirror.
Mother/Voice – This can be played by the same person. Mother is to represent Hannah’s mother and should be gentle mostly. Voice is to represent Mrs Pickett, the housekeeper in Sarah’s time. She has a posh but very harsh sounding voice.
Production History:
October 2021 - 2nd Place in The Surfside Playhouse 10 Minute Play Compedition
Recommendations:
“What a great little piece with a spooky twist! I like how the story draws you in before hitting you with the climax. Be careful what you wish for!”
Ross Tedford Kendall (New Play Exchange)
“One advantage short plays have over longer affairs is that the audience often goes in completely blind. This horror story is mostly effective because it's not clearly a horror story... until it's too late. Once the trap is sprung and the protagonist's fate is sealed, we're just as surprised as they are. Well done!”
Greg Mandryk (New Play Exchange)
“The suspense in this short play builds creepily, and just when I thought I felt sure I knew where it was going, Rachel spins things and hits me with an ending that is both a surprise and entirely fitting! No easy feat, to be sure. This would be perfect for a Halloween or horror-themed festival, but it also could stand alone as a wonderful drama that's also a scary take on morality tales. Would love to see this staged!”
William Triplett (New Play Exchange)
“This is absolutely terrifying! I was waiting for the twist, but wow that was something. Rachel Feeny-Williams really created such a wonderful and scary piece. I'm genuinely at a last for words over that ending. Such a strong way to end a piece.”
Cole Hunter Dzubak (New Play Exchange)
“I wasn’t expecting goosebumps at the beginning, but by the end… whoa! A great acting opportunity for two young women and for a special effects designer. This would be quite exciting to see on stage.”
Morey Norkin (New Play Exchange)
“Attics as repositories of the past are ideal settings for drama and who doesn't love a good mirror tale? THE GIRL IN THE MIRROR highlights the lives of two teenagers, Sarah and Hannah, and contrasts the harsh work-life of an Edwardian parlor maid with the school-life of a modern, spoilt adolescent. Rachel Feeny-William centers young women in this slow-burning horror shocker. It would be great fun for young and old, as we're all acquainted with ingratitude where it rears up most hideously, in our own reflections. What this play does best is hold up a mirror to modern society.”
Charles Scott Jones (New Play Exchange)
“To go too into detail on the brilliance of Feeny-Williams' horror short would be to give it away. Rest assured, however, that it treats us (and leaves us) with the lessons of any classic story with an old, mysterious mirror: don't take for granted what you have, and be careful what you wish for. A great treat for some younger actors to really let loose and play, this is a piece that would be a hit at any spooky festival. Definitely check it out.”
Daniel Prillaman (New Play Exchange)
“THE GIRL IN THE MIRROR is genuinely creepy, tense and disturbing. What begins as a strange but innocent meeting of 2 young ladies a century apart, turns into something quite sinister. With the right budget and some clever effects this could be staged as a wonderful, scary piece of theatre.”
Christopher Plumridge (New Play Exchange)
“RACHEL FEENY-WILLIAMS’s “The Girl in the Mirror” is a gem. I loved reading it and think this piece will be enormously popular with audiences. There is a depth to this piece and audiences will be talking about it after they leave the theater. Well-done!”
Jack Levine (New Play Exchange)
“Brilliant! I loved this so much. At only 13 pages, I wanted more. What a turn of events. A must read. I would love to see this on a stage!”
Rene Zabel (New Play Exchange)
The Good Seats
(Comedy)
(10-15 Minutes)
*TRIGGER WARNING - Swearing
Plot:
Louise & Kate have made it to their local pool for the first Saturday of the Summer, only to discover there's a new VIP area!
Cast: (2 Females)
Kate - Late 30s, One son (Jeremy) and husband (Lee)
Louise - Late 30s, Three children (Danny, Adam & Jenny) and husband (Dave).
Production History:
6th-8th July 2023 - Live Production, Next Generation Theatre, Cullompton, Devon, UK.
June 2022 - Audio Production on YouTube - https://www.youtube.com/watch?v=kKAOgdtyUOc&list=PL3PhaNeb4ZUJvSRkarSJRjHW3_9d0i567&index=7
Recommendations:
“Well! This is the dishiest dishing that’s ever been dished! All served poolside like a high-octane resort pina colada! Louise has all the tea and Kate’s cup is ready to be filled! A well-observed social satire full of exquisitely individualted details about the neighbors and the secrets polluting the airs they put on. Great roles for two actresses (I couldn’t help picturing Nicola Walker and Sarah Lancashire from LAST TANGO IN HALIFAX.) The familial interjections keep the proceedings grounded but the bitchy gossip and social commentary soars!”
Scott Sickles (New Play Exchange)
“Two suburban housewives attempt to keep their children and spouses corralled while at the same time comparing gossip about their friends and their places in the poolside pecking order. The dialogue is sexually explicit and delightfully catty and, one suspects, only slightly exaggerated. It would be a hit in any evening of short plays.”
Donald E. Baker (New Play Exchange)
“This is a delicious play that brings the politics, intrigue and gossip of practically every community to vivid and hilarious life. Feeny-Williams cleverly creates an entire chaotic poolside environment -- including a hunky lifeguard, misbehaving children and hapless husbands -- primarily through the dialogue of two women. Speaking of those two characters, what bonkers fun they are!”
Nathan Christopher (New Play Exchange)
“What a fabulous play by the dialogue master Rachel Feeny-Williams! Rachel does an amazing job of pushing the envelope between Louise & Kate and yet it feels like every day conversation poolside. “Just because I made my purchase doesn’t mean I can’t see what’s on the shelves.” A new favorite line. Brilliant!”
Joe Swenson (New Play Exchange)
The Hobby Haunting
(Comedy/Thriller)
(15-20 Minutes
Plot:
Lucy has been unable to find a hobby to stay focussed on and Frederick (the angel of style and past times) has noticed. So, he recruits her husband to assess the situation before it’s too late.
Cast: (3 Male, 1 Female & 4 Either)
Frederick – The Angel of Style and past times – Wears a white suit with a pin of wings on the lapel of the jacket.
Mike – Lucy’s husband, in his early 40s.
Benji – Lucy’s older brother in the past – Can be played by an adult or child.
Lucy – A woman in her late 30s struggling to find something to fill her life. She also appears and multiple different ages, which can be played by the same actress.
Monsters – These are nightmarish creatures meant to represent Lucy’s various hobbies. The costumes can be literal or representational but they all need to be hideous and misshapen.
Crochet Monster
Pottery Monster
Needlepoint Monster
Watercolour Monster
Production History:
Recommendations:
“This funny, unexpected riff on 'A Christmas Carol' (don't tell Frederick I called it that) is a hoot! As someone who has dabbled in a hobby or two in my time, I also found 'the ghost of pastimes past' to be eerily relatable! It's full of quick and funny quips, and the familiar structure ensures the clever deviations stand out. This piece is evergreen but would be a fun alternative to an old, tired Christmas Carol in a holiday-themed evening of shorts!”
Aly Kantor (New Play Exchange)
“This play is the epitome of a clever, cheeky, heartfelt, and droll good time. I love the riff on A Christmas Carol, and the tongue-in-cheek narrator. Lucy is a beautifully drawn character who really moved me, as someone who has struggled with her exact problem. The play is indeed sweet, but the underlying message hits very deeply, especially in the ways partnerships and supportive relationships are portrayed.”
Caitlin Storm-Martin (New Play Exchange)
“In THE HOBBY HAUNTING, Rachel Feeny-Williams showcases inspired staging and characters in a fantastical comedy. Exploring grounded themes of relationships and individual purpose, the heightened characters and situations give so much room for play as well. And the four quadrants of staging are both creative and functional as the play progresses toward its satisfying end.”
John Mabey (New Play Exchange)
“Everyone needs an angel like Frederick. He helps Lucy ultimately figure out one of the most important but unanswered questions of modern adulthood: What do we do with our time? This is a funny and sweet play about figuring out how to maintain your sanity and relationships, as well as a savage critique of salvage art. Great roles for a trio of actors. Bravo!”
Adam Richter (New Play Exchange)
The Homework Odyssey
(Drama/Greek Style)
(10-15 Minutes)
Plot:
Inspired by the writing style of the greek plays (and complete with a singing chorus) Icarus is top dog in his school as a dealer to all. But his world soon comes crashing down around him when he finds himself responsible for a classmates death.
Cast: (4 Male & 4 Female)
Icarus
Headmaster
Detective Jupitus
Typhon
Diana
Icarus’s chorus
Clotho
Lachesis
Atropos
Production History:
Recommendations:
“I really like the use of the chorus in this short play. Definitely read if you're looking for a good part for a strong young male actor.”
Branda McFarlane (New Play Exchange)
“A deft and compelling adaptation of the Icarus myth with pitch perfect pace. Feeny-Williams cleverly relates a story from the point of view of her protagonist, subtly guiding identification and then shifting the audience’s sympathies. All this is heightened by a Greek chorus shadowing the boy as misdeeds lead to a banging to rights. Yet it is done with a light touch as well as an impactful moral with the audience following every step of the downfall from the inside.”
Alice Josephs (New Play Exchange)
The Honest Interview
(Comedy)
(5 Minute Sketch)
Plot:
Petra of Random Tech Company is endorcing the company's new invention, honesty drugs for employees when conducting interviews but how much to the really want known?
Cast: (2 Female)
Petra – Late 30s, Employer
Rebecca – Late 20s, Interviewee
Production History:
July 2023 - Audio Production on Theatrical Shenanigans Podcast - https://theatricalshenanigans.podbean.com/
Recommendations:
“A hilarious satire of and Human Resources management practices in the information technology sector with and the level of discrimination and misogyny that permeates even when –and especially when– technologies are used to create "transparency". Today it's data and surveillance, will truth serum be next year's management practice?”
Ian Thal (New Play Exchange)
“In this world the truth hurts, if I'm being honest. And Rachel Feeny-Williams proves this without a doubt in this delightfully twisted take on corporate interviews. One character cannot help but tell the truth as she reveals all sorts of company misogyny and sexist practices instigated, of course, by those in power who will never be forced to tell it like it really is. That's what middle management is for. The satire is laid on thick, but appropriately so. Great roles for 2 women who most likely will forget just how good they are, if the men have their way.”
John Busser (New Play Exchange)
“Sometimes the less said in a job interview, the better. That’s not the case in Rachel Feeny-Williams’ clever satire, in which she skewers high-tech corporate culture, particularly the “boys club” aspect. As an interviewer under the influence of a truth drug holds nothing back, audiences will laugh and cringe at each revelation. A great two-hander for female actors.”
Morey Norkin (New Play Exchange)
“The Honest Interview is a satirical takedown of the highest form! Petra's description of the company was brutal, and yet, it could describe approximately every tech company in the world. (And not just tech companies...) The corporate corruption and boys' club atmosphere are everywhere. What great social commentary -- and it's funny because it's (sadly) true. Well done! I'd love to see it staged!”
Marcia Eppich-Harris (New Play Exchange)
“It's such a shame that the truth is so painful. But the painful truth of corporate and societal misogyny is dissected with great wit. All I can really add is Run Rebecca! Run like the wind!”
Paul Donnelly (New Play Exchange)
“She says what we're all thinking! With "The Honest Interview," Rachel Feeny-Williams skewers the patriarchal and patronizing boys clubs of the tech industry and the business world in general with biting wit and hit-you-where-it-hurts humor. Honesty is a helluva drug, but it may be the key to our salvation.”
Sam Heyman (New Play Exchange)
“Haha, if only all job interviewers were this honest we wouldn't have to sit through six long months of probation finding our feet in a new office environment! The interviewer has taken a little red pill which makes her only tell the truth, and the way the truth is told is brilliantly matter of fact in a public announcement sort of way, which would make this a fun role to play.
Something tells me this candidate might be reconsidering.... if she gets out safely. Close to the mark but in a fun way!”
Christopher Plumridge (New Play Exchange)
“When RACHEL FEENY-WILLIAMS write without inhibitions, life and work becomes very... real. In fact, honesty drugs should be required for all interviews in the future - it would save so much time and energy. A FABULOUS short read that should be produced....EVERYWHERE!”
Debra A. Cole (New Play Exchange)
The Hundred Acre War
(Drama/War)
(20 - 30 Minutes)
Plot:
General Christopher Robin and his armies have been fighting the war of the Hundred Acre Wood for five years against the creature that is Winnie The Pooh for five years but do they stand a chance of taking him down?
Cast: (1 Female & 9 Male)
Major Kanga – Head nurse – Female, late 30s - Her husband was a general in the Springer Cavalry who died on the most recent manoeuvres.
General Christopher Robin – Male, early 40s. Been leading the war of the Hundred-Acre wood for five years and wants nothing more than to rid it of the beast ‘Winnie The Pooh’.
Piglet – General Robin’s clerk – Male, mid 20s. Friendly and helpful.
Owl – Wing Commander of the air force – Male, early 40s
Roo – Male, teens - A young joey who is currently studying medicine but wants nothing more than to join the army.
Ranger Eeyore – Male, late 40s - A local to the wood, has been helping the army in local knowledge.
Rabbit – Male, 30s Research scientist.
Colonel Heff (Heffalump) – Male, Late 30s - Leader of the black ops Squadron.
Major Wooz (Woozle) – Male, mid 30s Colonel Heff’s 2nd in command
Sgt Tigger – Male, 20s - Soldier in black ops squadron.
Production History:
Recommendations:
“Priceless. Truly priceless. What happens to the Hundred Acre Woods under the creative control of RACHEL FEENY-WILLIAMS? Magic. That's what happens. CHILDREN OF ALL AGES will love this wartime retelling of this childhood classic.”
Debra A. Cole (New Play Exchange)
“So, the writing prompt 'Take a known story and change one element' was taken to wonderful extremes in this complete reworking of Winnie The Pooh. For now, Winnie is an evil warlord killing any soldier who tries to attack. But Christopher Robin is at the helm, surely he will win over this fearful bear? Or will it take the hapless but hopeful Roo to win the day. Read this for yourself, better still have a hoot and stage it! I believe this play would also lend itself to an audio recording.
Great fun!”
Christopher Plumridge (New Play Exchange)
“A brilliant and twisted reimagining of classic characters. Winnie the Pooh as a killer kaiju! Christopher Robin as his Army General foe. Truly awesome stuff!”
Evan Baughfman (New Play Exchange)
The Hundred Acre War Crime
(War/Drama)
(15 - 20 Minutes)
Plot:
*Sequel to "The Hundred Acre War"
A year after the end of The Hundred Acre War, Professor A. A. Milne finds himself in a hearing as a suspect of war crimes for his involvement in The Hundred Acre War!
Cast: (1 Females & 7 Males)
Judge Hektar
General Christopher Robin
Professor A. A Milne
Ranger Eeyore
Corporal Roo
Doctor Rabbit
Court Officer
Major Kanga
Production History:
Recommendations:
“Such creative use of Winnie the Pooh and "friends"! I love stories that take something innocent and twist it into something sinister and new. A great play!”
Evan Baughfman (New Play Exchange)
“What a twisted version of beloved childhood characters The Hundred Acre War was. this follow up is incredible!! A chilling examination at the horrors of war and the advances of science that stem from dark places.”
Christopher Soucy (New Play Exchange)
“Chilling. The phrase, “ Sacrifices must be made to advance the world of science!” is not one expected in a piece about a beloved childhood friend, but Rachel always finds a way to surprise audiences. A beautiful addendum to her first piece THE HUNDRED ACRE WAR. What a wonderful night of theatre they would make performed together.”
Debra A. Cole (New Play Exchange)
The Ladies of the Colourful Society
(Comedy)
(10-15 Minutes)
Plot:
The ladies of the colourful society meet to have their quarterly meeting but a few may end up with faces in interesting shades!
Cast: (5 Female)
Margaret – Society Chairwoman
Enid – Society Secretary
Jackie – Society Treasurer
Geraldine – Society Committee Member
Fiona - Society Committee Member
Production History:
October 2022 - Live production by Exton Drama Club UK.
Recommendations:
“In this bright play Rachel has given her ladies every colour in the spectrum to play with, which provides them with some very funny lines! I feel quite tangerine reading this! That aside this play is an accurate insight to the world of British amatuer drama Committees. You'd be very grey to miss out on this ....”
Christopher Plumridge (New Play Exchange)
“I was sold with the line, "Oh he can Boysen my berry any day!" RACHEL FEENY-WILLIAMS is a master of color with this delightful short play. Oh, what a periwinkle group of ladies can accomplish as a committee."
Debra A. Cole (New Play Exchange)
The Lady of the Sea
(Drama/Radio Play)
(10 - 15 Minutes)
Plot:
Carrigan tells a story of how he made a grievous mistake when he met a young woman in a cottage by the sea.
Cast: (3 Female & 5 Male)
Carrigan – A man in his late fifties Young Carrigan – Carrigan aged 17 Officer – Naval Officer in his 30s Conductor – Train Conductor in his 40s
Mr Mckay – Jenny’s Father – 50s
Malia – A girl in her late teens
Martha – Carrigan’s Mother – 40s Jenny – Carrigan’s friend – Mid-Late Teens
Production History:
Recommendations:
“Everytime I went to the ocean, my older cousin would proclaim, “the sea will reclaim their own.” And that phrase haunted me through Feeny-Williams magical play. I am a huge fan of Under Milkwood and Feeny-Williams finds her way around this prompt to create a new fable using a day by the sea. It is the stuff that sea shantys are made of. It’s the stuff of sea-dreams and wave-crashing nightmares. It is the all-powerful and mystical sea. It is the stuff of theatre.”
Claudia Haas (New Play Exchange)
“The tone. The pace. The imagery. The dialogue. The sea.... Pure perfection. RACHEL FEENY-WILLIAMS has done it again. She takes a complicated prompt and makes magic with her words.”
Debra A. Cole (New Play Exchange)
The Making of Us
(Drama)
(15 - 20 Minutes)
*TRIGGER WARNING - Swearing, Domestic violence
Plot:
People often say there are certain events that are the making of a relationship but what if you couldn’t tell when those events were? What if you could jut see isolated events with no knowledge of where those people were in their relationship story.
Cast: (1 Male & 1 Female) - Both in their 30s
Claire
Sam
Production History:
Recommendations:
“The Making Of Us is clever and affecting, forcing the audience to consider how we narrate and judge our own lives and, sometimes unfairly, the lives of others. With simple staging, we see several ‘snippets’ from a couple’s lives, but never as a linear experience, as if on a wheel of fortune spinning round and stopping randomly at points in the making and unmaking of a marriage and two distinct personalities. With fluent and almost filmic transitions, this is a gift for director, sound and lighting crew, actors and stimulating and thought provoking for any audience.”
Alice Josephs (New Play Exchange)
“An intriguing look at a relationship out of order. Feeny-Williams has written two very dynamic and flawed characters that allow the piece to ebb and flow, making it impossible to look away.”
Cam Torres (New Play Exchange)
The Meeting
(Comedy)
(15-20 Minutes)
Plot:
Rachel’s dream of having a producer want to produce one of her plays has finally come true thanks to her friend Simon but as they sit waiting for his arrival will things stay as happy?
Cast: (1 Male & 1 Female) - Both in their 30s
Rachel – A woman in her early thirties, dressed in a pencil skirt, heels and a blouse. She is wearing a coat over them and carrying a satchel type black bag.
Simon – A man in his mid to late thirties, dressed in smart trousers and a shirt.
Production History:
December 2023 - Audio Production by Eclectic Full Contact Theatre as part of their Half Hour Audio Hour - Half Hour Audio Hour | RedCircle
June 2022 - Performed at The Hope Mill Theatre, Manchester UK by Manchester ADP
July 2021 - Performed by Worcester Park Dramatic Society, Epsom, UK in their Summer Production. - Later converted recording into audio play - https://www.youtube.com/watch?v=D9n_PK07i5U
Recommendations:
“This is the first play in Rachel Feeny-Williams's collection "My Chatter" and it starts her short comedy play collection off with a bang! I particularly appreciated the theatre focus of the piece. It focuses on the "character" Rachel (hmmm...) and her drive to stay true to herself, her writing. Why is it some people who are so good with words socially find themselves with foot-in-mouth syndrome?! Funny!”
Nora Louise Syran (New Play Exchange)
“Sometimes we wish for something to happen, and then when it’s about to take place, we might get cold feet. “The Meeting” gives us an interesting view of a writer’s torment of trying very hard to get their play produced, and then, questioning the intention of the potential Producer.”
Jack Levine (New Play Exchange)
“I really should have said something about this earlier. It's a play I thoroughly enjoyed when it was performed by Rachel's Zoom group some time ago, a very funny author's meltdown and anxiety dream about, heaven forbid! the chance of a major production. In which everything's bound to be changed! Against your will! I'm still thinking about borrowing one of the lines as the title for a play of my own, with due attribution of course.”
Martin Heavisides (New Play Exchange)
“What a great two hander this is by Feeny-Williams, lots of laugh out loud moments during the brilliant interaction with her two characters. Playwrights can surely relate to this piece, finally getting their big break then (usually needlessly) worrying about having their big break! This is wonderful, I would love to see it staged.”
Christopher Plumridge (New Play Exchange)
“I had the unique opportunity to listen to this play and I loved it. I was crying laughing. Highly recommend.”
Timothy Gadmonski (New Play Exchange)
“A producer is interested in Rachel's play... but is Rachel interested in having him as a producer? This well written two-hander rings true in both dialogue and situation and offers its two actors fine roles to play. By all means, give this short a look.”
John Kelly (New Play Exchange)
The Mother's Consternation
(Drama)
(10-15 Minute Sketch)
Plot:
There is talk amongst the mothers of St Heavenly School of a new mother in the small town but how welcome will she be made to feel?
Cast: (1 Male and 4 Female)
Rachel – New Mother to St Heavenly School – Mother of Joseph and Benjamin.
Martha-May – Mother to Jack and Hunter at St Heavenly School.
Faye – Mother to Rosalie at St Heavenly School.
Willodean - Mother to Rhett, Hank and Waylon at St Heavenly School.
Jacob – Husband to Rachel
Production History:
Recommendations:
“Wow. What a great story this is. I was impressed with how much Rachel was able to fit in this relatively short play. It’s always tough on the outsider and this play surprises with its ending as it doles out proper justice. Highly recommend.”
Dan Taube (New Play Exchange)
“Riffing on on the book of Genesis, the playwright updates the story of Rachel, Leah and Jacob to a tale of petty parental school politics. When a new family lands in small-town USA, a Queenpin mom takes out her resentments on the new mother and two sons as the latter unwittingly dislodge her children from top spots at High School. With four strong roles for women and one male role for Rachel’s husband, this blended family piece gives director and actors a layered scenario and modern dilemmas with echos of the biblical story in its plot and wise resolution.”
Alice Josephs (New Play Exchange)
“What a beautiful modern retelling of an old story. This mother's love is precious, even when the small town judgement has deemed her as a fraud due to jealousy. RACHEL is a testament to her name.”
Debra A. Cole (New Play Exchange)
The Murder is The Thing
(Comedy/Mystery)
(30 - 45 Minutes)
Plot:
When Detective Jane Pierot (pronounced Poirot) finally gets her first case in three years she (and her very bored secretary) are over the moon. However, Jane soon realizes there is more to this case than meets the eye.
Cast: (4 Female & 1 Male)
‘Detective’ Jane Pierot (Insists on in being pronounced Poirot) – Retired interior designer Obsessed with detective work. Did an online course in criminal psychology and now believes herself to be a real detective. Married for 30 years but her wife left her 3 years ago when she set up the detective firm because “she couldn’t take it any more”.
Sandra – Jane’s secretary – Northern and very common. She only does this job because it means she doesn’t have to do anything all day.
Mrs Levington – The Client – An older lady who comes to see Jane to help her find her lost husband. Really Jane’s first wife Harriet. When she left her she re-married but then thought if she could get Jane to solve one crime she would forget being a detective and come back to her. So she murdered her new husband to create the disappearance.
Carla – Barmaid in the local pub where the Levington’s were staying. Similar style of speak to Sandra. Gossip and talks about how Mr and Mrs Levington argued.
Jack Layton – Friend of Jane – Retired police office – Advises that Mr Levington was seen with a another woman and according to his friend in the town they are from he was always running away with younger women.
Production History:
July 2017 - Performed by by Broadclyst Theatre Group at Victory Hall, Broadclyst, Devon, UK
April 2017 - Performed by Exton Drama Club at the Exton Village Hall, Devon, UK
Recommendations:
“Jane Pierot is no Hercule Poirot (though she does insist on pronouncing her name as Poirot). With an inexplicably dogged determination, this Sherlock Holmes wannabe comes through in the end. Quirky characters (Sandra, especially, is a hoot). Snappy dialogue. A great premise. All-in-all, a really fun detective caper!”
Kim E. Ruyle (New Play Exchange)
“Jane is a detective who got her certificate through Groupon. Her secretary has an aversion to work, which is good since they’ve never had a case in the three years the office has been open. Until now! A visitor to town reports her husband missing. The dialogue is so clever and funny. The characters are distinct and enjoyable. And the resolution of the case is quite surprising. It is Rachel Feeny-Williams doing what she does best! Great story, great characters, great time for all!”
Morkey Norkin (New Play Exchange)
“Finally! A comic FEMALE detective! And Jane and Sandra deserve their own series! The two are just delightfully hilarious. I also adored Sandra and Carla's super vague conversation that never seemed to really go anywhere. Such strong characters. Seriously, Jane and Sandra should be a weekly series (and Carla as the wacky next door barmaid). I absolutely adore these characters.”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“What really happens in those little English villages where fictional detectives ply their trade? Not much it turns out. Except laughs. A delightful send-up of Christie and her ilk, with a scene-stealing secretary audiences will love. It's already received a few productions. It deserves many more.”
Donald E. Baker (New Play Exchange)
The Perfect Man
(Romance)
(5 Minute Sketch)
Plot:
Jennifer has decided that she’s found the perfect man, Alex…or is that Alexa?
Cast: (1 Female & 1 Male) - Both 30s
Jennifer
Alex (A Voice by never seen)
Production History:
Recommendations:
“Oh my! Rachel Feeny-Williams masterfully lulls you into the story you think it is, only to pull the carpet from under your feet before the night is over. This is both comforting and chilling. A smart, engaging short play that will leave you wondering.”
Melissa Milich (New Play Exchange)
“Oooh I do love a good play which manages to trick the audience! This play by Rachel does just that to a tee, as we see Jennifer getting ready to settle in bed with the love her life, her very own perfection. I will unashamedly paraphrase a line from this play for my wife later: "I am only made perfect by you." Should win me some brownie points!”
Christopher Plumridge (New Play Exchange)
“Perfection can be found in strange places, if we know where to look for it. Jennifer has found hers, and it was closer than we thought. Rachel Feeny-Williams gives us a character who takes dependence on technology to another level. And as long as she's happy, who are we to argue it? Although this is light hearted, it's also though provoking stuff.”
John Busser (New Play Exchange)
The Performance Review
(Comedy/Drama)
(5-10 Minutes)
*TRIGGER WARNING - SWEARING
Plot:
The Council of the Human Race are meeting with Mother Nature to discuss some issues with the way things are going, but they are not prepared for the response!
Cast: (1 Female & 6 Either)
Mother Nature – F – Unknown Age – No specifically required characteristics
Human Race Chairman – M/F – Middle aged – No other specific characteristics
Council Members 1 – 5 – 5 individuals representing a bank of people across the human race. Ideally all adult age but otherwise no specific characteristics.
Production History:
Recommendations:
“This is a probably-too-close-to-true imagining of the human race giving Mother Nature a "performance review" and in so doing, revealing their own asininity and biases. Feeny-Williams manages to make this commentary on environmental common sense (and nonsense) enjoyable and fun. Highly recommend for an ensemble with a strong female lead!”
Maura Stephens (New Play Exchange)
“Who would dare mess with Mother Nature? Not I! These council members are bold! A funny, yet eye-opening look at a "what if" scenario that we can't help but be fully invested in as readers/viewers.”
Randy Hunt (New Play Exchange)
“Not only is the hilarious and troubling short play needed, it contains the best Mother Nature monologue ever written! GO, SISTER! This short work by RACHEL FEENY-WILLIAMS is FANTASTIC! It should be required reading in all high schools... purposeful language included.”
Debra A. Cole (New Play Exchange)
The Price of Fame
(Drama)
(10-15 Minutes)
Plot:
Amelia has been dressmaker to Leading Lady Lilith for five years, with no sign of her dream to be on stage ever coming true until one day, enter Beatrice and her interesting mask!
Cast: (1 Male & 3 Female)
Lilith - Lead Actress
Amelia - Lilith’s Dresser
Beatrice - A stranger
Henry - Director
Production History:
Recommendations:
“A despicable diva. A backstage dresser who’s wounded, jealous, and ambitious. And to round out the trio, a demon with the power to bestow fame. Rachel Feeny-Williams gives us a chilling look at the lengths some are willing to go to achieve fame. Excellent.”
Kim E. Ruyle (New Play Exchange)
“Oh the desire for fame, but at what cost to others? This is explored by Rachel in this poignant short piece, at times darkly funny but with an important message. Audiences will be taken by surprise at the twist half way through, as much as they'll be surprised at the ending. A very intriguing piece by this prolific playwright and once again I feel there's a lot more that can be explored with this idea.”
Christopher Plumridge (New Play Exchange)
“There will always be a Lilith...the leading lady who may be good, but who takes from everyone. This is a magical script with a great twist. Cheers for Beatrice and Amelia."
Marj O'Neill-Butler (New Play Exchange)
“Well! That play took a left turn I wasn't expecting, and what a delightfully creepy turn it was, Ferny-Williams adds her name to the proud tradition of sell-your-soul-for-fame storytellers with this back-stage drama about the destructive "price of fame."”
David Beardsley (New Play Exchange)
The Process
(Thriller/Drama)
(10-15 Minutes)
Plot:
Claire Forrest, secretary to author Mr Fortis-Perkins thought she was doing a simple good deed when she offered advice to a struggling young author under the name of her employer. Little did she know how far things would go when she wrote to Vivian Layston.
Cast: (1 Male & 2 Female)
Mr Fortiss-Perkins – Novelist
Vivian – Young woman in her 20s
Claire Forrest – Mr Fortiss-Perkin’s Secretary
Production History:
Recommendations:
“Once again Ms. Feeny-Williams gives us an awkward setup and delivers the laughs. Writers are a little nuts, most of us understand that, and those long-suffering bystanders who've put up with the pomposity of fragile egos have to snap once in a while. Tons of fun for three comedic actors!”
George Sapio (New Play Exchange)
“This play starts off as an incredibly relatable meditation on the process of story midwifery. Meanwhile, the audience watches an unlikely friendship begin between a fledgling author and (unbeknownst to said author...) the secretary of a hot-shot writer. Somehow, the silly, epistolary play builds to an incredibly high-stakes peak as the protagonist shows her true colors! Just when you think things are calming down, the playwright leaves us with a ponderous button that suggests otherwise! Manic, marvelous fun!”
Aly Kantor (New Play Exchange)
“Rachel Feeny-Williams understands a writer’s frustration and provides Claire with some great words of advice to pass on to struggling Vivian, including the importance of writing through, soliciting feedback, and rewriting. But Claire never expected how Vivian’s impatience and volatility would create a surprising crisis. Just as surprising is how the crisis is resolved. A really fun piece!”
Kim E. Ruyle (New Play Exchange)
“What a fun piece! The hazardous minefield that is being a writer is fraught with anxieties, fixations, and desperation. Rachel Feeny-Willliams captures the ups, downs, and in betweens of hero worship and writer’s block.”
Christopher Soucy (New Play Exchange)
The Right Man
(Thriller/Crime)
(10-15 Minutes)
*TRIGGER WARNING - Death, Violence & Swearing
Plot:
Detective O’Phelan has been called to investigate the death of Jeremy Dayton but with three dead bodies linked to this case, he believes there is something more going on. Little does he know how right he is.
Cast: (2 Male & 1 Female)
Doctor/Jeremy
Detective O’Phelan - Police Detective in his 40s
Layla - Jeremy's Girlfriend, 20s
Production History:
Recommendations:
“"More than a sequel, The Right Man is an alternate ending The Wrong Man. It was surprising and fun to read this version in which nobody is who you think they are. The Right Man is a terrific example of the ability of Rachel Feeny-Williams to continually surprise and delight us.”
Kim E. Ruyle (New Play Exchange)
“A very respectable mystery thriller with a great twist, by this prolific and talented author. I am jealous that she can think of so many different ideas for plays. This one has tension, snappy dialogue and a delicious finish, and should be a big crowd pleaser in any short play festival.”
Bruce Karp (New Play Exchange)
“Feeny-Williams has the British crime genre down pat in this short drama about shifting identities and shifty loyalties. Complex and layered, the writer leaves us hanging in a really fun way. And I enjoyed pondering what happens next. (Psst...I have faith Detective O’Phelan will catch up with the perps!)”
Kelly McBurnette-Andronicos (New Play Exchange)
The Right Thing
(Drama)
(15-20 Minutes)
Plot:
Alice has always been taught to do the right thing, that teaching is shortly to be tested when she finds out about Dave.
Cast: (2 Female, 2 Male & 2 No Gender)
Alice – Early 20s – Nurse in a hospital – Girlfriend to Chad.
Clarisse – F - 40s – Corporate type, slave to her job – Wife to Dave
Chad – Early 30s – Training to be a plastic surgeon – Very vain – Boyfriend to Alice
Dave – 40s – Patient in hospital for elective surgery to correct snoring issue. – Husband to Clarisse
Calamity – Non-Gender – Patient in the hospital after breaking a toe at a rave – Ex to Wolfgang
Wolfgang – Non-Gender – Lives in a cave in the park – Creative artist – Ex to Calamity
Production History:
Recommendations:
“And the award for tenacity, bravery, and creativity in the face of adversity goes to... RACHEL FEENY-WILLIAMS! I have no earthly idea how she did it, but RACHEL took an impossible prompt and made a coherent and entertaining short play out of it. TRULY MIND BLOWING!”
Debra A. Cole (New Play Exchange)
“I am absolutely gobsmacked! A billion points to Rachel! My eyes are not worthy to read her work! Wow. Double wow. I literally noped out of doing this prompt. And here it is in all it’s glory! Huzzah and hurrah!”
Christopher Soucy (New Play Exchange)
“Even if it hadn’t been written in response to the most ridiculously detailed prompt ever, this play is terrific on its own. That it was faithful to the absurd prompt is even more impressive. Alice may be the hero of this story, but Rachel Feeny-Williams is a hero for our time!”
Morey Norkin (New Play Exchange)
The Right to Write
(Comedy)
(15-20 Minutes)
Plot:
Sophie is a playwright who has been struck with inspiration. Mark is a novellist on a deadline. The coffee shop only has one table with access to a plug socket. Let the battle commence!
Cast: (1 Male & 2 Female)
Sophie - A playwright in her 20s
Marnie - A waitress in her 20s
Mark - A Novelist in his 40s
Production History:
Recommendations:
“Rachel Feeny-Williams has written a wonderful comedy in The Right to Write. The set-up is brilliant, but the battle between Sophie and Mark with Marnie sprinkled in to poke the novelist is absolutely worth the price of admission. What a fun play to stage too, especially with the recurring provoker. As a playwright and novelist, I found it amusing, steeped in tension, and really fantastic. I would love to see the flare that Sophie puts into her new-found inspiration as well. Excellent piece of art Rachel!”
Joe Swenson (New Play Exchange)
“I am definitely not a "write in public" type of writer, and people like Mark are exactly why I stay home! As over the top he is, he actually feels very real in his entitlement (dare I say, almost AMERICAN?! Gasp and drool!) What a terrific revenge play!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“How satisfying to see a smug, insufferable, misogynistic prick get his just desserts. Mark is appalling and totally credible. Sophie and Marnie prove to be worthy foils. I also enjoyed the spirited defense of playwriting as a art.”
Paul Donnelly (New Play Exchange)
The Sisterhood of Take Away Dumplings
(Drama/Comedy)
(15-20 Minutes)
Plot:
Olivia, Beth, Amanda and Annabelle have found themselves single and in the same Chinese restaurant on Chinese New Year and with the company of the wise (albeit dark horse) Ms Ying and her son Mr Lang, the girls discover a bond of sisterhood that turns what would have been a depressing night into one of joy.
Cast: (2 Male & 6 Female)
Olivia – A long time single serial dater. She has got used to meeting guys, having a few dates and them dropping out of existence. She doesn’t get excited about dating any more, which normally they can sense which leads to them dropping out of existence.
Beth – In a ‘off again/on again’ relationship with a boyfriend of six months (Derek). Both are very intense argumentative people so they are constantly picking arguments with each other, which lead to fights which inevitably lead to break ups. Beth pretends to like the relationship that way to hold a tough demeanour.
Amanda – A very needy young woman who broke up with her boyfriend of eight years (been together since they were ten) just before she came to university (about three months ago) and since then she’s been trying to enjoy the single life but she gets very attached to men she meets and then very weepy when it doesn’t work out.
Annabelle – In a long-term relationship with her boyfriend Mark. Mark is studying to be a doctor and is ‘perfect’ for her. Annabella finds herself in the restaurant as Mark has to study but then he comes in with another girl.
Ms Ying – Mother of Mr Lang, talks about what she likes regardless of the consequences. Had an arranged marriage when she was very young and had a son but her husband died shortly after (luckily in her eyes) and she’s dated a lot since then. A bit of a dark horse.
Girl – The girl Mark comes into the restaurant with
Mr Lang – Owner of the Chinese restaurant. Divorced about a year or so ago and she took him to the cleaners when she ran off his with his best friend.
Mark – Annabella’s soon to be ex – Small role.
Production History:
Recommendations:
“A restaurant that does not allow cell phones - YES, Please! The bonding of these women celebrating not having to be in a relationship is an important statement. The cultural reference are endearing and ground the celebratory nature of this multigenerational piece. Their dynamic with Mr. Lang is heartwarming as it leaves no one behind as they create their own fortune this Chinese New Year!”
Dana Hall (New Play Exchange)
“A piquant chain reaction of a play with every character a strong link. A restaurant owner and his widowed Mum, a delectably sharp-tongued senior, act as the pivots around which a sisterhood forms to celebrate women’s singleness and singularity in a tyrannically couple-driven world. Divided into five scenes with vigorous characterisation and a deliciously impish humour, the reader or audience is drawn into a delightful dramatic debate about relationships with smart cookies prepared to change their fortunes at the start of the Chinese New Year - all with a side of dumplings too!”
Alice Josephs (New Play Exchange)
“How can one resist a line like “I told you soy sauce was not meant to be done in shot form?” That’s just one of many wonderful moments in Rachel Feeny-Williams’ sweet and tangy short play, as a group of women, strangers at first, bond over bad boyfriends, wine, and dumplings at a restaurant on Chinese New Year. It might not pass the Bechdel test, but who cares when the work is as magical and touching as this? And now I want Chinese take-away for lunch.”
Doug DeVita (New Play Exchange)
The Speeding Ticket
(Comedy)
(5-10 Minutes)
Plot:
The world is now one of ice and snow and Milly and Henry have found themselves pulled over by the police, on ice skates!
Cast: (1 Female & 2 Male)
Henry - 20s
Officer Henderson - Police Officer - 40s
Milly - 20s
Production History:
Recommendations:
“This is a great twist on getting a speeding ticket – involving ice skates! These three characters play off each other perfectly through well-written dialogue and a fun story line. Lots of sharp, humour, and surprises from start to finish. Speeding Ticket is a play the whole family can enjoy.”
Enid Cokinos (New Play Exchange)
“The world has become a frozen tundra, and the preferred mode of transportation is ice skating. Poor Henry is caught between his reckless skating friend, Milly, and an overzealous skating traffic cop. As Rachel Feeny-Williams cleverly demonstrates, the climate may change, but human interaction, including with police, remains the same. More fun than a quadruple toe loop, which is probably illegal.”
Morey Norkin (New Play Exchange)
“Feeny-Williams offer us laws (and a police officer) gone amok. Throw in global warning, illegal ice skates, and there's a cautionary and delightful tale here. Ice and snow can be scary, fun, and illegal. Beware.”
Claudia Haas (New Play Exchange)
“A typical traffic stop becomes surreal when the officer pulling you over is on ice skates and you were just trying to have fun skating with a friend! A winter postcard moment, ruined by a power hungry officer determined to write a ticket. Weird and funny!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“If ever there's a reason not to argue with an officer of the law, here is it! Take into account a whole future scenario of global warming, along with its weirdly odd freezing, you have a fun play brilliantly written by Rachel. The speed and slickness of this play is as if it's on the very ice it's performed. Great!”
Christopher Plumridge (New Play Exchange)
“Apparently global warming is upon us and wheeled transportation has been replaced by ice skates. Milly and Henry find themselves skating on legal thin ice when an officious cop stops them on the highway for disobeying a host of ice-traffic regulations. We had a lot of fun reading this at our Sunday pay reading group. It's another off-the-wall situation from the clever mind of Rachel Feeny-Williams.”
Donald E. Baker (New Play Exchange)
“It doesn't matter the mode of transportation, someone is going to run (or in this case, skate) afoul of the law. Rachel Feeny-Williams shows that cops are the same the world over (and let's be honest, so are scofflaws). As a lead foot myself, I've gotten a few speeding tickets, and it never goes well when both parties have chips on their shoulders, as Rachel's characters here do. Fast and funny satire.”
John Busser (New Play Exchange)
“We need people like Millie when the state’s power runs amok. And, boy, does it in this fun parody of traffic laws, zealous police officers, and reckless drivers. Great fun!”
Kim E. Ruyle (New Play Exchange)
“I will never look at "speed" skating the same way again. This original piece, that exposes a life we are yet to know, challenges an audience to consider the long term effects of our planet in a fun and intriguing way.”
Debra A. Cole (New Play Exchange)
The Star
(Comedy)
(10-15 Minutes)
Plot:
Directing and Producing a school musical is stressful enough but Mrs Bennett and Ms Mason really have their work cut out for them with Lisa (or is it Liza?) and her ‘determination’ to play the lead, one way or the other!
Cast: (4 Female & 1 Male)
Mrs Bennett – The Director
Ms Mason – The Assistant Director
Lisa – The student
Clarisse – Liza’s Mother
George – Liza’s Father
Production History:
6th-8th July 2023 - Live Production, Next Generation Theatre, Cullompton, Devon, UK.
Recommendations:
“Anyone who was involved with their High School drama club will relate to this super funny play immediately. It is spot on! I recognized each character in this play as someone from my youth. Nostalgic, well-paced and laugh-out-loud funny.”
Ben Rosenblatt (New Play Exchange)
“A hilarious play revolving around the personalities and culture of putting on a high school production. The characters are well drawn, and the plot relates to anyone who attended high school and saw the selfishness and egotistic power plays that occurred.”
Ross Tedford Kendall (New Play Exchange)
“Those in educational theatre will recognize many of the characters in this wonderful short play. The witty banter, the strong characterizations, and beautifully paced storyline will delight audiences of all ages. I found myself singing a 4th end of the piece.
"It's Liza with 'Z' not Lisa with an 'S'
'Cause Lisa with an 'S' goes 'ssnozz'
It's 'Z' instead of 'S', 'Lie' instead of 'Lee'
It's simple as can be, see, Liza"”
Debra A. Cole (New Play Exchange)
The Talk Down
(Comedy/Drama)
(5-10 Minutes)
Plot:
Johnny was a young man with a bright future. Now he finds himself in a bank, holding a gun. Everything looks bleak until he gets help from an unexpected source.
Cast: (2 Female & 4 Male)
Mrs Iris May – An elderly lady who lost her husband and has been selling her home-made jams and scones ever since to make a few extra pennies.
Peggy – The teller – A Young pregnant woman.
Mr Oliver Olivier – The Bank Manager – Snooty and wants to leave his small local branch and move to a bank in the city.
George – An older gentleman, security gaurd
Johnny – A Young man who has fallen on troubled times
Mr Norris – Another Customer
Production History:
Recommendations:
“Tension filled - the right kind.
Sass delivered - thank you, Mrs. May.
Character driven - a beautiful cast of characters. I had the pleasure of hearing this read at a gathering of the "Literary and Discourse Society." No matter what side of the pond it is performed, audiences will love it.”
Debra A. Cole (New Play Exchange)
“What a fun ride! In a very short time, the playwright has managed to establish very distinct characters and gets right to the conflict. It's everything a short play should be!”
Jillian Carter (New Play Exchange)
“This was a roller coaster, but gosh was it so good! In theatre school a huge thing I hear is "subvert expectations," and this piece surely does just that! The characterizations of Mrs. May and Johnny are so well done, and I feel like this is a piece that people would love to see live.”
Cole Hunter Dzubak (New Play Exchange)
The Turning of The Seasons
(Drama/Tragedy)
(5 Minute Sketch)
Plot:
Beth and her Grandfather bond over leaves on an otherwise very sad day.
Cast: (1 Female & 1 Male)
Beth – a 6 year old girl
Albert – Her grandfather
Production History:
Recommendations:
“This is a reassuring dialogue between a grandfather and his granddaughter about the presence of a departed loved one in nature. Its emotional depth, simplicity, and connection to characters make this play memorable and heart-warming.”
Nora Louise Syran (New Play Exchange)
“A sad postcard moment between Beth and her grandfather becomes magical and infused with hope. Grandfather paints a beautiful picture of what was and what is. Beth and audiences will carry this moment in their hearts for a while."
Jacquelyn Floyd-Priskorn (New Play Exchange)
“A sweet and tender scene of a grandfather reassuring his precious granddaughter that although grandma is gone, she is really all around in nature. And by sharing this explanation, grandpa is also able to find comfort. In just a few pages Rachel Feeny-Williams makes us care deeply for these two characters and leaves us with a smile and maybe a tear or two.”
Morey Norkin (New Play Exchange)
“A poignant and deeply touching dialogue across the generations. Rachel Feeny-Williams has crafted a wonderful little play which could act as a smart illustration of how to deal with the trauma of death and grief for old and young. How amazing it would be to see this performed with actors of the ages the characters are given. A little gem.”
Paul Smith (New Play Exchange)
“This is possibly the most joyful play about grief I've ever had the pleasure to read. It's especially wonderful that it's a about explaining death to a child by focusing on life: not just the life of the person who was lost but the cycle of life itself. Simple and moving without being overly sentimental (it's just the right amount) with two lovely characters you care about instantly. In a very short time, you feel their connection to each other and to the loved one that's done. Just lovely.”
Scot Sickles (New Play Exchange)
“A sweet reminder that death is part of a cycle and once that happens, we come back as part of a larger world. A man helps his grand daughter accept the death of her grandmother by letting her know she is still being watched by the leaves around her. Loving and tender, this play is heartwarming.”
John Busser (New Play Exchange)
The Ultimate Christmas Question
(Comedy)
(10 Minutes)
Plot:
Maggie & Jeff are facing the volatile world of a bind date with the added perils of trying to choose a Christmas film for their date.
Cast: (1 Female & 1 Male) - Both 30s
Maggie
Jeff
Production History:
December 2023 - Produced as an audio play by the "Shouting in the Evening" podcast - https://www.buzzsprout.com/1854669/14090002
30th November - 3rd December 2023 - Live Production - Crash Course Theater (Tennessee, USA)
December 2022 - Produced as an audio play by the "Gather by the Ghost Light" podcast - https://gatherbytheghostlight.podbean.com/e/ep-42-the-ultimate-christmas-question/
Recommendations:
“A take on an age old debate that I have with friends and family at least once a holiday season. And a fun ending to boot. Well done.”
Ryan Vaughan (New Play Exchange)
“Ah, it wouldn't be Christmas without the age-old question, IS Die hard a Christmas movie? And Rachel Feeny-Williams provides a comical take on trying to find that out, with Maggie and Jeff having a delightfully batty debate on the merits of a multitude of cinematic Christmas films. I always like Rachel's dialogue as it rings so true, yet never sounds run of the mill. And I think practically every audience member would find their argument eminently relatable. Funny, frothy and feisty. And for the record... OF COURSE IT'S A CHRISTMAS MOVIE. Hans Gruber even says so in the movie dialogue.”
John Busser (New Play Exchange)
“Oh...this is GOOD! The awkwardness of a first date is expertly captured and you feel their pain. The story is perfectly and I mean PERFECTLY executed with rising action and a twist at the end that I didn't see coming. It's fun. A great antidote to the typical Christmas fare.”
Melissa Milich (New Play Exchange)
“Loved this piece. When Ms. Feeny-Williams established the premise, I was waiting for certain payoffs and was not disappointed. (Though one character's attitude on the Muppets certainly made for a VERY unsympathetic character immediately for this Muppets Lover. :) ) After some good back and forth, the ending is humorously satisfying. A very funny look at what makes a Christmas movie and why we'll probably never agree on that very subject. But it's OK... as this play's ending intimates, there is still hope. :)”
Brent Alles (New Play Exchange)
“The end note of this show is quite wonderful. I laughed a decent amount. It's "Netflix and chill, with an emphasis on chill, because it's winter?" Because the ultimate distillation of Christmas is a desire for connection. If we can't find that watching movies together, well... there are other options. An amusing tale for sure.”
Jarred Corona (New Play Exchange)
“A conversation we've all had with our significant other at one time or another, well-encapsulated and leading up to an unexpected but appropriate ending. But whither "Love, Actually?"”
Tom Moran (New Play Exchange)
“Rachel Feeny-Williams has perfectly recreated the exact conversation that each and every one of us have had at one point or another. Bravo Rachel (from the biggest Polar Express fan on the planet).”
Cole Hunter Dzubak (New Play Exchange)
“I produced an audio play version of this script on the radio theater podcast GATHER BY THE GHOST LIGHT (https://www.podpage.com/gather-by-the-ghost-light/ep-42-the-ultimate-christmas-question/). Rachel Feeny-Williams has captured a real life moment and written it into this hilarious play. I have overheard this same debate many times over the years and it was so fun to read script and Rachel's comedic take on this argument. Very relatable with great dialogue!”
Jonathan Cook (New Play Exchange)
“Laughed out loud at the last line while listening to this on GATHER BY THE GHOST LIGHT! This play could so easily have been trite and over done, just like that Christmas movie called...oh, I won't start a fight here! But the subject matter was definitely tackled in a delightful and original manner! People will likely pick sides in this argument, but the characters and the audience will win in the end!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
“A fun and thought-provoking Christmas play, produced in humorous fashion on the GATHER BY THE GHOST LIGHT podcast!”
Evan Baughfman (New Play Exchange)
“A blind date starts it all...can these two people agree on which Christmas movie to watch or not? The final solution was unexpected and fun. A great two-hander for any age couple. Take a listen to it and an interview with Rachel Feeny-Williams on Gather By The Ghost Light podcast episode 42 (available wherever you get your podcasts.)”
Marj O'Neill-Butler (New Play Exchange)
“This delightful Christmas comedy is sure to spark lively audience discussion! It’s difficult enough agreeing on a favourite Christmas movie, but when some don’t even qualify… This was a joy to read and I also highly recommend the audio version from Gather by the Ghost Light. https://gatherbytheghostlight.podbean.com/”
Morey Norkin (New Play Exchange)
“THE ULTIMATE CHRISTMAS QUESTION is a spot-on conversation between two very fun characters with crisp and engaging dialogue and a hilarious conclusion, written by Rachel Feeny-Williams. Give it a listen on the Gather By The Ghostlight podcast! #TeamJeff #DieHardIsAChristmasMovie
...
MINOR SPOILER: I'm so mad there was not a single mention of the greatest Christmas films of all time: The Lord of the Rings trilogy!”
David Lipschutz (New Play Exchange)
“Rachel is a master of creating believable, awkward situations and this is another fine example. A first date, which doesn't start so smooth soon turns into a debate about the merits of Christmas films. This sums up why my wife and I rarely watch a film together. Then the curveball at the end takes you by surprise. Great!
BTW.... Die Hard IS.”
Christopher Plumridge (New Play Exchange)
“Saw this funny and touching play read on Tiny Theatre. Decisions are hard enough on most given days. The complexity of them on a blind date are heightened by hundred-fold. Sometimes it's the most basic of basics that bring us together in the end and sadly or not, keep us together.”
Lee R. Lawing (New Play Exchange)
“What Christmas movie shall we watch? That really is the ultimate question. In Rachel Feeny-Williams' silly-goofy Christmas rom-com, Maggie and Jeff go through a list of the classics hoping to find an answer that they both can agree on. The play starts by leaning into the awkwardness of the date, which grows into a heated debate, and ends in an SNL-like manner sure to make you giggle. Just reading about Maggie and Jeff's holiday film preferences has put me in the holiday spirit!”
Hannah Lee DeFrates (New Play Exchange)
“Great fun! Rachel Feeny-Wiliams has a gift for comedy. The sparring between these two characters as to which Christmas movie to watch is just delightful. Neither wins, but neither loses either ;)”
Nora Louise Syran (New Play Exchange)
“What a fun piece that will elicit great debate with audiences! Violence? Christmas moments? Vengeance? Snow? What makes the perfect Christmas movie? A better question after reading this is, what makes the perfect first date Christmas movie?
The banter between our Maggie and Jeff is natural, hysterical, and PERFECT! Rachel does it again!”
Debra A. Cole (New Play Exchange)
“This is a play built to be electric onstage with its hilarious bouts of awkwardness, expert sense of build, mounting tension and frictive chemistry. There's even a fun meta-awareness buried subtly into its central debate: is this a Christmas play or not?”
Eric Pfeffinger (New Play Exchange)
“Blind dates can be hell. Agreeing on a Christmas movie can be hell. Maggie & Jeff are forced to navigate these hells simultaneously to hysterical effect. This play wraps with a very witty compromise. And, for the record, Maggie is correct, Die Hard is not a Christmas movie!”
Paul Donnelly (New Play Exchange)
“In THE ULTIMATE CHRISTMAS QUESTION, Rachel Feeny-Williams explores all the wonderful awkwardness of a blind date at Christmastime. As the two explore their tastes in films of the season, their differences escalate into an ending that's both satisfying and deserving of its own 'Christmas moment.' The great rhythms of the dialogue also make this a wonderful piece for performers to showcase a variety of emotions with plenty of laughs along the way.”
John Mabey (New Play Exchange)
“This is just wonderful! Over such a topic as what makes a good Christmas movie, lives can change and relationships blossom or disintegrate. Rachel Feeny-Williams takes this subject and crafts a cracking play which has great humour and will, undoubtedly, lead to arguments from readers and viewers! A play that is great fun and funny and one which will make people talk - and argue and, possibly, decide to do something more fun!”
Paul Smith (New Play Exchange)
The Vengeful Road
(Drama)
(5-10 Minutes)
TRIGGER WARNING - Rape/Sexual Assault
Plot:
Just another night for Izzy, an angel of vengeance as she stalks the highway in search of evil doers.
Cast: (1 Female & 1 Male)
Max - A lorry driver, 40s
Izzy - 15 year old
Production History:
May 2022 - Tiny Theatre performed virtually on Facebook. - https://www.youtube.com/watch?v=vdPYdFG2PO0&t=7s
Recommendations:
“All plays really come to life when being read aloud, especially in this case by the talented Tiny_Theatre. The Vengeful Road is tense, atmospheric and truly chilling in a Hitchcock style. I love the way its staged, a simple truck cab facing the audience, with careful lighting it would look spectacular too. This is Rachel at her best, excellent!”
Christopher Plumridge (New Play Exchange)
“Many of the same things that make nice short films are what make nice short plays. They're visceral and pushing. While the obvious horror of this piece comes from its ghostly angel, I think the real haunting layer to this concept is that it's a random road. It's a random road that needs an angel of vengeance. It's a random truck with a random disgusting person. It's as if Rachel Feeny-Williams is whispering to her audience, "This is everywhere and anywhere. It is your street. This is the horror of living.”
Jarred Corona (New Play Exchange)
“What a chill it was to experience a live reading of this in our Sunday group. Rachel is a master at revenge and securing the appropriate end for nasty characters. IZZY is the character we have all been waiting for, and she does not disappoint. Any short play festival would benefit from this tension-filled play.”
Debra A. Cole (New Play Exchange)
“Terrific revenge tale . . . if only there were such justice for rape and sexual assault victims. Well done, Rachel Feeny-Williams.”
Maura Stephens (New Play Exchange)
“Saw this horror tale read on Tiny-Theater and the actors captured the thrill of her words so very well. Sadly the world is in need of more vigilantes who roam this world and those beyond looking for sexual predators like Max. We can only hope one day they won't be needed.”
Lee R. Lawing (New Play Exchange)
“We recently had the opportunity to share Rachel's short play THE VENGEFUL ROAD for an online reading of tiny_Theatre. We chose this piece because of her successful tactic -- taking on a difficult subject matter and then quickly hitting us with a broken expectation -- giving the power to the seemingly powerless. Her writing is concise, shocking and effective.”
Rachel Burttram (New Play Exchange)
“Whooooaaa - this is unsettling, unpleasant and riveting. Rachel Feeny-Williams takes on a tough subject and turns it into a very effective morality tale. A seemingly ordinary story veers off into a very dark area and will shock an audience - tight and provocative writing!”
Paul Smith (New Play Exchange)
The Visitor
(Comedy)
(15-20 Minutes)
Plot:
Brian has returned from a job with an unexpected traveller is the back of his van.
Cast: (2 Female & 1 Male)
Brian - 40s, on call repair man.
Maggie - 40s, Brian’s wife.
Hannah - A student in her late teens.
Production History:
Recommendations:
“The road to hell is paved with good intentions or, in the case of this story by Rachel Feeny-Williams, good intentions lead to a scalded crotch and nearly a lot worse. The Visitor is a comedy of errors that provides an enjoyable ride.”
Kim E. Ruyle (New Play Exchange)
“This is a cute little play about a huge misunderstanding. The ending is very funny and a perfect moment for a black out!”
Jacquelyn Floyd-Priskorn (New Play Exchange)
The Void of the Creative Mind (A.k.a Writing with a Hangover)
(Comedy)
(10-15 Minutes)
Plot:
As the title suggests, this is how I imagine events unfold in my mind when a hangover has taken hold.
Cast: (3 Female & 1 Male)
Brain - 40s - Dressed in military type uniform
Cognitive Assistant - 20s - She is dressed in a skirt suit with a lab coat and also wearing heels and glasses.
Hangover – 20s - She is dressed in a sparkly dress, tights and bare feet. She is carrying a pair of shoes in one hand and an open bottle of wine in the other
Creativity - 20s - She is dressed in leggings and a flowing top with a headband on and bare feet.
Production History:
Recommendations:
“A very clever look at the mechanisms behind recovery from a hangover and the hangover's effect on Creativity. The interactions between Brain and Hangover are wittily rendered,”
Paul Donnelly (New Play Exchange)
“Same, girl...same. There isn't a creative who hasn't experienced this level of repair and revival. RACHEL FEENY-WILLIAMS nails the human condition when pushed to a point of pure shut down. Any up for a gin and tonic? Just one...”
Debra A. Cole (New Play Exchange)
The Wrong Man
(Drama/Comedy)
(20-30 Mins Minutes)
Plot:
Layla is convinced the death of her boyfriend is a tragic mistake. Her day then takes an unexpected turn when an agent of death arrives and agrees to analyze the days leading up to the death to decide if they do in fact have the wrong man.
Cast: (2 Female & 7 Male)
Layla Briggs
Lisa Mendes
Doctor
Agent D7
Jeremy Dayton
Ricky Montoya
Hector Rodriguez
Butch
Lance
Production History:
Recommendations:
“The Wrong Man is a clever mashup of crime and science fiction from the inventive mind and prolific pen of Rachel Feeny-Williams. Who knew there was a bureau of D.E.A.T.H.? That the agents had such onerous procedures to follow? That they are assigned to “upper” and “lower” floors? Agent D7 takes Layla on a journey back in time where she gets unexpected and unpleasant revelations about her boyfriend. There’s a great deal of theatricality in this piece, and it would be fun to see staged.”
Kim E. Ruyle (New Play Exchange)
“This piece was so fascinating. I always love when works personify death—in this case, through the lens of bureaucracy. The agent (D.E.A.T.H) also has a great sarcastic sense of humor which kept the piece light, in what would otherwise be a dark look at the afterlife, creating a great balance between the hard theme of death and the magical realism of an afterlife agent. The play questions the validity of love, how well we actually know someone, and if death is really final. It is done expertly through this moving piece.”
Tiana Marie (New Play Exchange)
“You can't rush through the stages of grief - unless, of course, you're on company time. When an agent of D.E.A.T.H arrives and offers Layla the chance to audit her partner's grisly demise, you think you'll be getting an It's A Wonderful Life-esque look at the highlight reel. Instead, Layla comes to learn that D.E.A.T.H does not often make mistakes. The ending is both surprising and inevitable and reaches a tense, exciting peak as the tables are turned. Creative staging helps bring this death-defying comedy to life!”
Aly Kantor (New Play Exchange)
“Shocked by the sudden, violent death of her boyfriend, Layla is certain there must be a mistake. Enter an agent of DEATH to painstakingly review the situation just in case there was indeed an error. The interaction between Layla and the agent, a typical bureaucrat, is hysterical. And true to Rachel Feeny-Williams fashion, there are plenty of twists and turns! This may be THE WRONG MAN, but it is the right play for someone to produce now!”
Morey Norkin (New Play Exchange)
"I always enjoy a good comedy about afterlife bureaucracy, and this short in which Layla and an agent of D.E.A.T.H. investigate the possibility that her boyfriend’s demise was a clerical error is a solid addition to the genre. A kind of buddy-comedy road-trip case-review, it recalls Scrooge’s adventures with his visiting ghosts, but to darker, funnier, far less sentimental effect. You think you know a guy...”
Vince Gatton (New PLay Exchange)
They Walk Amongst Us
(Horror/Science Fiction)
(15-20 Minutes)
Plot:
Laura is excited when she gets a job as assistant to renown Serpentologist, Professor Kelham but there is more to this job then meets the eye!
Cast: (2 Female & 2 Male)
Laura
Abi
Professor Kelham
Luke
Production History:
Recommendations:
“I get a real Hammer Films/Invasion of the Body Snatchers/Tales From The Crypt vibe from this, and I'm hooked. Rachel Feeny-Williams has created the perfect little horror story that unfolds slowly until that great reveal near the end. Perfect for a Collection of horror plays or on it's own, this would be so fun to see produced.”
John Busser (New Play Exchange)
“At first, Rachel Feeny-Williams was sending out heavy "The Haunting of Deborah Logan" vibes with this script. At first I expected maybe a slow-build into wrenching horror... but then the 80s B-movie campiness jumped out, and I laughed, especially as the reveals came and the monsters carried out their grand plan. A truly enjoyable horror-comedy.”
Jarred Corona (New Play Exchange)
“In her 20-minute horror play THEY WALK AMONGST US, Rachel Feeny-Williams manages a tone that is somehow campy, restrained, and frightful. It nicely hearkens back to classic horror films - or the long creepy stories of Arthur Machen. Favorite moments are when Laura says, "I've got snakes on the brain," (What an image!) and then later when Professor Kelham lowers his hood. I like it a lot that we never actually see the lab - which would be the go-to place if this were a film - that so much of the fright is constructed in our imagination. Big fun!”
Charles Scott Jones (New Play Exchange)
“They Walk Amongst Us is truly chilling and at the same time darkly funny, it especially appealed to my sense of humour! Rachel has created each character perfectly and together they work well. I can clearly imagine this being staged, atmospheric dark lighting, maybe along the lines of a Tim Burton movie. Wonderful!”
Christopher Plumridge (New Play Exchange)
“A great scareathon (and all in 10 pages!). They Walk Among Us has a cast of four for a classic shlock horror in the tradition of second half of the 20th century movies. Also what an opportunity for a make up/costume designer to make their mark. With effective lighting and direction. This could scare the living daylights out of an audience in the best possible way!”
Alice Josephs (New Play Exchange)
This is it.
(Comedy)
(15-20 Minutes)
Plot:
Prequel to "My Moment" - When Claire has news that one of her plays is making a debut in a West End location she is thrilled and terrified all at the same time. Thank goodness she has her wonderful husband Tom to get her through it.
Cast: (1 Female & 1 Male) - Both in their 30s
Claire
Tom
Production History:
August 2021 - 2nd Place in The Surfside Playhouse 10 Minute Play Competion
Recommendations:
“There is a palpable sense of anticipation built up in this short play by Rachel Feeny-Williams that feels so real, you'd think this was based on a true story. From the highs of learning a play is accepted, through the rush of meetings, castings and rehearsals, to the lows of supposed hopes being dashed when expectations don't match the reality, Rachel shows it all in a roller coaster of events. Bringing moments of support and sanity, the character of Tom provides an audience surrogate that lets the audience become a small part of the story. This is really good stuff!”
John Busser (New Play Exchange)
“This short play follows a playwright from learning that she'll be produced on the West End to opening night, with all the joy and stress you can imagine in between. It's a nice study on how it takes a village to get a play produced and a good reminder that different ideas aren't necessarily bad ideas - As well as how invaluable a supportive partner can be. A love letter to the theater, this is a sweet little story about how the sausage is made.”
Lisa Dellagiarino Feriend (New Play Exchange)
“Oh the many conflicting issues in a playwrights mind! This play continues the journey Claire is making in her (aspired) career, with her ever supportive husband by her side, edging her on and calming her down where needed. Hey, we all need a Tom! I love how she calls her characters c****s for taking so long when she's trying to finish a scene at 3am! Great!”
Christopher Plumridge (New Play Exchange)
Tidy Away My Soul
(Comedy)
(10-15 Minutes)
Plot:
Alison wants nothing more than to sell her house and move on. However, the ghost of her husband is not happy about it!
Cast: (3 Female & 2 Male)
Alison – Mid-30s
Meredith – The Estate Agent
Richard – The ghost of Alison’s husband – dead five years
Jackie & Bob – A Couple in their 50s
Production History:
March 2023 - Live Production, The Talisman Theatre Company, Kenilworth UK
October 2022 - Performed as part of an evening of four one act plays by Exton Drama Club (Devon,UK)
July 2022 - Performed by Next Generation Theatre Company in Cullompton (Devon, UK)
Recommendations:
“With a Truly, Madly, Deeply sort of feel to it, Tidy Away My Soul has charm and perfect comic timing. Letting go is hard, and Ferny-Williams beautifully touches on the challenges of moving forward after the loss of a spouse. I would love to see this performed. Such wonderful opportunities for a cast to shine.”
Debra A. Cole (New Play Exchange)
“This is the ninth and penultimate play in Rachel Feeny-Williams's collection of short comedies: "My Chatter" and it's one of my favorites. With a "Blithe Spirit" feel to it, nonetheless Williams carves her very own path and it's delightful. The energy is anything but "unbalanced"-- well done!”
Nora Louise Syran (New Play Exchange)
“I have just had the pleasure of listening in on a zoom reading of this short play, a great way to bring the story to life....and death in this case. To tidy away a soul since departed proves harder than expected in this case, this ghost isn't going anywhere and does his best to scupper his widows plans, to great comic effect! I see this as having the potential to be a weekly TV sketch show, as there are so many fun scenarios to play with in this set up! Great fun!”
Christopher Plumridge (New Play Exchange)
“Oh, what a state of affairs! Alison wants to move-on five years after her husband died. But the ghost of her husband won’t have it and is determined to stop her. “Tidy Away My Soul” is fun and witty, and a sure audience pleaser.”
Jack Levine (New Play Exchange)
“This is a comedy that is well constructed but not predictable. Feeny-Williams has created a very funny short play with a Noel Coward vibe but also contemporary. In its clever, thought-provoking way, it makes us ponder how memories haunt us, even when an actual ghost is doing his best to take control of his widow’s thoughts and actions. Nicely done!”
Andrew Martineau (New Play Exchange)